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Malt Maniacs #3

An interview with Raymond Armstrong  
E-pistle #03/01 - by
Johannes van den Heuvel, Holland
The number of active Lowland distilleries has dropped at an alarming rate over the last decades. For a while, it seemed like Bladnoch would share the fate of Saint Magdalene and Ladyburn, forever lost to Lowland lovers around the world. Fortunately, Irishman Raymond Armstrong came to the rescue. We thought we'd ask him a few questions about his adventures in the whisky industry.

Aqua Dolce Vita 
E-pistle #03/02 - by
Serge Valentin, France
French jet-setting maniac Serge travels thousands of miles in his search for malts. Before joining 4 other maniacs for the DrAmsterdam Festival in June he hopped over to Italy to soak up some culture and score a few special bottles.

Report Feis Ile 2002 
E-pistle #03/03 - by
Michael Wade, USA
American maniac Michael Wade made his way to Islay for Feis Ile 2002; a festival of whisky and music. Every year the distilleries open their doors and bottles for all to experience and celebrate the fierce independence and rugged beauty of the island, its people and its whisky.

The Islay Festival: Miss & Mess
E-pistle #03/04 - by
Serge Valentin, France
After a time of bliss on Islay French maniac Serge fell victim to the Heathrow chapter of the airport thieving guild. Those guys seem to have a nose for single malts because this is not the first horror story I've heard. Bastards!

Maltmadness in Amsterdam
E-pistle #03/05 - by
Klaus Everding, Germany
Shortly after the Islay Festival the malt maniacs had their own little whisky festival in Holland. With 'only' five malt maniacs attending I think we can safely call it the smallest whisky festival in the world; three days of dramming and drooling. German maniac Klaus wrote a full report.

Private Pleasures
E-pistle #03/06 - by
Louis Perlman, USA
American maniac Louis Perlman came up with a fresh discussion topic. He suggested we tackle the topic of 'private' or independent bottlings. Good call. 

Ode To Independent Bottlers
E-pistle #03/07 - by
Craig Daniels, Australia
Craig chimes in. Most of us started our discovery of maltland with the well-known official bottlings but sooner or later every malt maniac wanders off into IB territory. 

Whisky or IMFL?
E-pistle #03/08 - by
Krishna Nukala, India
It is said that more 'Johnny Walker Red Label' is consumed in India than is distilled at Dufftown. Officially, Indian distillates (often molasses based) are not allowed to be called whisky. Hence the name: 'Indian Made Foreign Liquor'.

Seasonal Malts
E-pistle #03/09 - by
Louis Perlman, USA
Different malts shine at different moments. Louis has made a list with a malt for every month. His 'seasonal suggestions' might come in handy if you're planning a shopping trip.

Clouds of Smoke
E-pistle #03/10 - by
Roman Parparov, Israel
Although many maniacs frown upon smoking when it comes to any kind of 'serious' sampling, there are some derelict dissidents among our ranks. Roman Parparov is one of them. His E-pistle deals with the forbidden pleasures of pipe smoking and the best tobacco & malt combo's.

My First E-pistle
E-pistle #03/11 - by
Matti Jaatinen, Finland
Being a 'malt minion', Matti needed some time to collect enough courage to share his thoughts with the rest of the world. But once he started writing he didn't stop until he had written a full review of his alcoholic adventures in 2002.

JOLT  Transcript - Macallan
E-pistle #03/12 - by
Johannes van den Heuvel , Holland
The Macallan JOLT in June 2002 proved a haunting suspicion: the touchstone sherried Speysider is losing some of its former glory. Ain't that a crying shame?

Next Issue of Malt ManiacsPrevious Issue of Malt Maniacs

E-pistle #03/01 - An interview with Raymond 'Bladnoch' Armstrong
by
Johannes van den Heuvel, Holland

The number of active Lowland distilleries has dropped at an alarming rate over the last decades. For a while, it seemed like Bladnoch would share the fate of Saint Magdalene and Ladyburn, forever lost to Lowland lovers around the world. Fortunately, Irishman Raymond Armstrong came to the rescue. We thought we'd ask him a few questions about his adventures in the whisky industry.

The interview is published on a seperate page; CLICK HERE to read it.
 

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E-pistle #03/02 - Aqua Dolce Vita
by
Serge Valentin, France

Italy isn't very far from my place. Colmar, Basel, Luzern, the Gotthard tunnel, Como... And you arrive in Lombardy. A four hours drive, to swap our Renish humanistic Alsace for Milan's Italian madness. Pasta, scooters, the wonders of the Renaissance, Ferrari, Ducati, Chianti and... Scotch whiskies. Uh-oh! Scotch whiskies? You mean Grappa! No sir. I was really talking about Scotch whisky.

Being a malt aficionado, I guess you've already heard of Sestante, Corsini, Donato, Moon Import... All those companies are (or were) genuinely Italian, and their Ardbegs, Port Ellens, Laphroaigs, Lagavulins and other heavy-hitters are amongst the most sought after malts in the world. Plus, everybody knows The Macallan 7 yrs, "exclusiva per il mercato Italiano". Having read this, you'll easily understand why my "spring whisky-hunting trip", this year, took me to the realm of Botticelli, Michelangelo, Dante... and Samaroli.

First stage of the journey: Milan

A place called "Bar Metro", Piazza de Angeli.
Well, nothing special at first sight. Far from the elegant streets, far from the duomo, but still very difficult to park there. Seems to be a regular bar... but wait, look at the shop-window... Have you ever seen a Macallan 1899, an Ardlussa, a Parkmore or a Ben Wyvis 1901 in a shop-window? Or even an Ardbeg Sestante 1973? My heart begins to beat quite strongly - and my wallet as well. I push the door... What a funny place! Sweets, pastry, wine, and whisky everywhere. I begin to browse the shelves. It's just incredible. Nothing but old whiskies. Very old whiskies. And there's a guy behind the counter. A very polite and very humble middle-aged man, who's name is Giorgio d'Ambrosio. I begin to talk to him:
" Are those bottles for sale?
- Ma, some are... you want to see whisky?
- I'd love to! But I can see many bottles around...
- This is nothing. Come with me... "

Man, if you ever have the opportunity to visit Giorgio d'Ambrosio's cellar, jump at it! Bottles everywhere. Thousands of bottles. I start to gaze at the shelves, and I dare to say to Mr. d'Ambrosio: " have you got some Port Ellens? " This must have been the stupidest question Giorgio had ever heard. He points a finger: " yes, look there! "
I can see some shelves...
"Where are they on the shelves, exactly?
- Everywhere! The whole shelves is Port Ellen!"
Can you imagine that? Rare Malts, Cadenhead's, Samaroli, G&M, Hart Bros, Signatory, Lombards, Murray McDavid, Islay Dream, Moon, Silver Seal etc. Just to mention the " recent ones ". Wow! They're all there, and they are for sale! I consider the Velier's Islay Dream 1980-1997. There's a price tag on it: 134 Euros. Well, that's a lot of money, but I'm ready to pay that amount for a " not so common " PE.
" -I'd like to buy that one...
- O.K., I'll leave it for 80 Euros for you... "
- Hey, why that?
- Because you're so friendly... "

Gosh! As you may guess, this leads me to an even more intense state of  MaltMania. But what to buy? There're so many interesting bottles! You know, the kind of bottles you can see on the Internet, while browsing McTear's site, or some collector's sites - but you never see them in real life. In one word: dream bottles. Suddenly, I think about Murray McDavid's Lochside 1981. It was so good when I tasted it with Mark Reynier, last month ! Mark hadn't any left for sale, but Giorgio had one. I bought it, of course.
" You like Lochside? Try also this one... "
That's how I bought the Spirit of Scotland 1981-1996 as well.
" Any nice Ardbeg I should buy, Mr. d'Ambrosio? I already have the 30 yrs Very Old
- The 30 yrs is not very good. Too old, too much wood. (aaargh, just bought my bottle in Basel!) You try this... "
All right, now, I'm the proud owner of an Ardbeg Sestante 21 yrs 1974-1995 as well!

Dear reader, I won't explain why I bought also a Glenlossie Sestante 20 yrs (yes, the shield label), or the Mortlach G&M 21 yrs (yes, the old one, with the funny piper on the label), or the Strathisla-Glenlivet G&M 15 yrs (yes, the old white label stating 26 2/3 FL. OZS), or the Macallan-Glenlivet Murray, McDavid (I put the comma on purpose) 1974-1995... That would be too long. But let me tell you the following:

As I had my camera in my pocket, I asked Mr. d'Ambrosio if I could take some pictures of his collection. He said : " No problem, but how many pictures have you left in your camera?
- Well, four or five. That'll be enough...
- No, don't take pictures here. Better come with me... "
He opened a thick iron door, and put the light on...

"Oh putain!"

Yes, that's what I said at this very moment. I know this is awful, but I couldn't refrain from saying it. If you don't read French... well, don't count on me. Anyway, this second cellar was full of even more stunning bottles. Thousands of bottles. That was Mr. d'Ambrosio's own private collection. I didn't ask whether some bottles were for sale. First, because I felt that asking would have been a sacrilege, and secondly, because I didn't see any bottle worth less than, let's say 1,000 Euros!

But what should I say about those bottles? Well, hundreds (I guess) of Macallans, hundreds of bottles from distilleries that are no longer active since... 1900, hundreds of Springbanks, Ardbegs, Laphroaigs... Suddenly, I tried to be smart. " Have you got some... Black Bowmore? " I couldn't think about any other collector's bottle. My brain was so confused ! He answered :
" I have sixty bottles... Every edition...
- And the Springbank Millennium?
- I have four series. I just bought a 50 yrs in America to complete the fourth set. "

I don't know why I tried to be even smarter, at this point. I said : " hey, have you got one of the 120 bottles of Glenfarclas 25 yrs Jim Clark? ", while thinking: " perhaps he hasn't got any. I've got one bottle, so, if he hasn't got one, I sort of win! " Stupid, uh? (I know what you think, Craig and Klaus). Anyway, he answered : " Wait, I'll show you something ". And he came back with a Bowmore Jim Clark... Limited edition... Bottle Nr. 1 of... 1!

As you can guess, Giorgio d'Ambrosio showed me many other fantastic bottles. Hand cut crystal decanters, signed bottles (Jim McEwan, George Urquart etc.), a Port Ellen from the 19th Century... Now, you may ask: " did you have a dram with the man? " Yes sir, and it was one of the best drams I ever had. It was a Glen Avon 1953, and it was amazing, I can tell you!

Well, I feel I should conclude now. So, please, if you ever happen to go to Milan (O.K. Roman?), go to Barmetro, and ask for Giorgio d'Ambrosio. That will make your day!

Second stage: Bologna

Bologna is a very, very nice old city. The food is excellent... And there are two very famous whisky shops (well, that's what one would call " going straight to the point ").

The Antica Trattoria da Sandro al Navile, via San Donato, is very far from the city center, and quite difficult to find. It's a restaurant, but there's a wine and spirit shop next to it. I arrived there at 10 a.m., but the shop was closed. I asked for Sandro, and he came quite quickly from the restaurant. Hum, I felt that I was disturbing him.

He opened the door, and we entered a small shop overloaded with thousands of bottles. Wine, rum, whiskies... More than 3,500 bottles of whisky are sleeping there, plus a 1954 Moto Guzzi Falcone 500. Such a superb motorbike surrounded by thousands of marvelous malts... That could have been a vision of paradise. But Mr. " Sandro " seems to be in a real hurry. He's glancing at his watches every 30 seconds, while spouting a long speech about the quantities of different Macallans, different Yquems, different Dom Perignons, Different Petrus, different this, different that... I tried my all-famous " Have you got some Port Ellen? " He answered : " Yes ". I asked " Would you sell some? " He answered " Yes ". But he started to look at his watches more and more intensely. The message was as clear as fresh (Highland) water : " Please go away, I've no time for you ". That's what I did. Hey, more money left for the next shop!

Back to Bologna's center. Well, not exactly the center, but not far from it. The place is called " Kik Bar - The Whisky House ". It's not on Route 66, where you get your " kicks ", but via San Donato. O.K., that's not funny. Anyway, the place is quite chic. As every liquor shop in Italy, they also sell other goods. Pastry, pasta, olive oil, cookies etc. Some elegant Italian men and women are standing at the counter, drinking coffee (ristretto!) or red wine. I ask for the owner... The man comes right away. I ask " Parlez-vous Fran¨ais? Do you speak English? " The man  smiles embarrassedly. Well, I should learn Italian ! (What ? I'd better improve my English?) Anyway, " whisky " is an international word. So, I say " whisky ". The man's smile's getting wider, and he goes directly to the cellar. I understand that I should follow him... And that was a good idea. What a nice, clean place! Hundreds of bottles, all standing in shiny glass cases. The range is less impressive than Giorgio's or Sandro's, no really old bottles, but still very interesting. Now, guess was my first question? Yes, I asked : " Port Ellen? " (this is the expurgated version). The man showed me different bottlings, especially some from his own brand, The Whisky House , imported through the " Taverna degli Artisti ", which is famous among the PE collectors. I bought an 11 yrs 1983-1994, and a 17 yrs 1980-1997. Then, I asked several other questions, using our very poor, but understandable common vocabulary :
" - Lochside?
- Brora?
- Springbank?
- Ardbeg?
- Etc. "

This ended with a reasonable number of bottles to carry out, the only OB being Royal Brackla 8 years, which I bought because it was very cheap (18 Euros or so). The man kindly gave me a very nice " The Whisky House " bar-mirror for free, and I decided to hit the road again, in the direction of Firenze (Florence).

Third stage: Florence

No need to say that Florence is one of the most beautiful cities of the world. And you'll understand that I preferred to spend some time visiting the Galleria degli Offizzi, the Batistero, the Duomo, the Ponte Vecchio, The Palazzo Medici etc., rather than doing some whisky archeology in some old dusty shop. Botticelli's Birth of Venus rather than an Ardbeg Samaroli?  Donatello's David rather than Laphroaig? Of course, I'm not that maniac!

But having said that, I found some time to visit an Italian supermarket, and a little wine shop as well. Nothing really special in the " Essalunga " supermarket, except the famous Macallan 7 yrs (for 14,50 Euros only) and an intriguing Bowmore 8 yrs for 18 Euros. Please, if you've got any piece of information about this Bowmore 8 yrs, please drop me an email. Is it another labeling for Bowmore Legend?
A good place to shop in Florence is the Zanobini Wine and Liquor shop. They display only approx. 50 different malts, but they are quite cheap. I couldn't leave this charming and friendly little place without buying several bottles. Mortlach G&M (Meregali) 15 yrs, Caol Ila Wilson & Morgan 10 yrs 1991, Macallan Dun Eideann 10 yrs 1990, and a Springbank 15 yrs (old version - not the new one to come) for less than 40 Euros... Not bad, is it? But I regret that I didn't buy the only bottle left of The Macallan 15 yrs 1984 for 45 Euros... My wife said "You'll find another one! " I'm not so sure.

Fourth - and last - stage: Sienna

What a marvelous city as well!
Much smaller than Florence, but still it's eternal rival. No car - the city is mainly reserved for pedestrians - magnificent ocreish buildings, fabulous duomo... Well, that's Italy. And I felt that I would not buy any malt on this very Sunday. After all, I had already bought quite a few bottles during our Italian journey. And, to be honest, it's quite enjoyable to walk in the streets without carrying two heavy bags full of bottles.

But well, I must be a natural-born whisky hunter! Guess what? While I was wandering in the little streets, I noticed a street called " via del Paradiso ". Charming name, isn't it? So, I decided to go up the via del Paradiso... until I saw a little wine shop, the " Enoteca San Domenico ". I entered the shop, just to browse the shelves. Chianti Classico, Brunello, Barolo (hmmm, Angelo Gaja), Asti Spumante, Barbera, grappas, lemon liquors, olive oils, dried ceps, multicolored pastas, macaroons, sweets...

... Suddenly, I noticed a very little shelf, carrying five or six bottles of whisky. Lagavulin, blabla, Laphroaig, blabla, Cragganmore, blabla... and... no, it's not possible!... A bottle of Port Ellen Cooper's Choice Cask Strength 1983-1999! A divine discovery, indeed. So, never forget this new and genuine MaltManiac's maxim: "Small place, big whisky." ;-)

Now, back to our hotel in Florence (Pensione Bencista in Fiesole - very good address). A lot of work to load all the bottles plus the luggage aboard my car... The, driving north... Milan again, Como, the Swiss border... O.K., the customs didn't ask for anything... ouf, as we say in France... the Gottardo, surprise meeting with Carla Bley and Steve Swallow, two famous jazz players, at a Swiss filling-station... nice chat with them... then Luzern, Basel, Colmar.
Back on Earth...

Serge Valentin
 

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E-pistle #03/03 - Feis Ile 2002, May 25th - June 1st, 2002
by
Michael Wade, USA

The Isle of Islay is a malt lover's paradise. Whether you are a newcomer to the world of single malt Scotch whisky, or a seasoned veteran, you will probably have seen a bottle of Islay single malt on the shelves of your local haunt- and at one point or another scratched your head in amazement or confusion.  Situated off the west coast of Scotland, Islay has seven working distilleries; and produce whiskies which are often as challenging to pronounce as they are to the palate. From the lightly peated Bunnahabhain and Bruichladdich, to the hefty Caol Ila and Bowmore, then south to the infamous Kildalton distilleries- who produce some of the most heavily peated whisky available- Ardbeg, Lagavulin and Laphroaig, you will no doubt find a whisky that suits your palate among them.  Many find the smoky, medicinal flavors of the more assertive malts to be unappealing and shun them.  Others enjoy the flavor so enthusiastically the whiskies achieve a cult status and are virtually worshipped.  Either way, there is something special about the island and it's whiskies- and it is no doubt deserving of the title "The Queen of the Hebrides".

I was fortunate enough to make my way to Islay for Feis Ile 2002- the festival of whisky and music.  There, every year the distilleries open up their doors and bottles for all to experience and celebrate the fierce independence and rugged beauty of the island, its people and its whisky.

May 24th, 2002 - Campbeltown, Mull of Kintyre, Argyll

After a long day of exploring the town for lost distilleries, visiting Springbank, foafing Eaglesome and a trek out to Davaar Island in the miserable weather, I settled down to dinner at the Ardshiel.  The appetizer was smoked salmon, the main course was local scallops and desert was a brandy basket.  "While in Rome do as the Romans do" they say- so the theme of the night was Campbeltown malts, although it was a short night, having to get up early next morning for the ferry.  I sat down and resigned myself to taste the two previous Longrow official bottlings head to head and have a serious go at the Glen Scotia.

Longrow 10yo 1990 'Sherry' (46%, no neck label)
Color: Light gold. Nose: Smoke, burnt chocolate with a slight prickle, sherry comes through in the tail. Smoky but not medicinal.
Palate: Sherry smoke, chocolate, ferny, exceptionally smoky character melds with the sherry.
Finish: Long and smoky. Comments: Not too heavily sherried, the smoke and wood mingle well. Score: 90

Longrow 10yo  1990 'Bourbon' (46%, no neck label)
Color: Pale gold. Nose: Smoky marshmallow, burnt caramel, overdone smores.  Vanilla and caramel sit in front of the smoky backdrop.
Palate: Vanilla sweetness, smoke, marshmallow and brown sugar.  Slightly spicy.
Finish:  Sweet, smoky and long. Comments: Well done, but I prefer the "Sherrywood". Score: 87

Glen Scotia 12yo (43%, OB, predecessor of the current 14yo release)
Color: Light gold. Nose: Spirity,  nutty and dry.  Pine and earthy notes.
Palate: A bit of prickle, heather and nuts, with a bit of vanilla.
Finish: Slightly bitter. Comments: Not the best Campbeltown has to offer. Score: 77

May 25th, 2002 - Campbeltown to Kennacraig to Port Ellen

Embarkation was after an early breakfast of oatcakes, fruit and cheese overlooking Campbeltown Loch.  I DO wish it were whisky!  Driving through the miserable rain, we arrived at Kennacraig ferry and were off!  The 2 hour journey rolled by, and before I knew it images of the Kildalton distillery warehouses loomed before me on the shore, appearing like apparitions from the heavens.  It dawned on me - I was finally on Islay!  Of course with my luck, the gentleman in front of me on the ferry had his car die on him, blocking my way out.  After a few minutes they managed to get him going with a good push, only for him to stall out again right in front of me (nearly causing my first accident on Islay in less than a minute on shore!).

From Port Ellen it was a race up to Ardbeg to snatch my Feis Ile and Committee bottlings.  Who do I bump into at the gift shop but our own Malt Maniac Serge Valentin!  Little did I know, it was one of many chance meetings I would have with him on Islay.  Off to Claggan Farmhouse in Bridgend to drop off our things and straight to Lagavulin for a tour and private tasting. Lagavulin is one of 3 Kildalton malts, founded in 1837 and situated on the south coast of Islay between Ardbeg and Laphroaig.  As you come out of Port Ellen, it is a quick few miles on the road, past Laphroaig.  Blink and you will miss Lagavulin from the road, which hides behind plain whitewashed walls and a discreet car park.   Lagavulin is a mixture of old and new - embracing many traditional facets such as dunnage maturation for the single malt product and wooden washbacks in addition to adopting some modern elements such as computerization.

The highlight of the tour itself was being able to taste the wash straight from the washback.  It was like nothing else I've ever tasted - like a warm, peaty beer.  Excellent stuff, but no time to stand around and stare - I've a tasting to attend, hosted by Donald Renwick, the manager. After being ushered through the hallowed halls of the distillery, we came to rest in a quaint and rustic room tastefully decorated with plenty of natural light - the perfect setting for a wee tasting.
(All sampled malts were WIP's - Works In Progress; not bottled yet.)

Port Ellen  22yo 1979 (52.5%, WIP)
Color: Full gold. Nose: Smoke, peat, sandy driftwood and seaweed.  A monster.
Palate: Intense Islay burn, smoky bbq and mustard, white hot peat fires.
Finish: Like a mouth singed by hot soup. Comments:  Yow! This one is for the peat lovers. Score: 90

Lagavulin 12yo 1990 Cask Strength (55.7%, WIP)
Color: Pale yellow. Nose: Peat smoke, pungent, iodine and tar.
Palate: Brash- in your face peat and liquid smoke- creosote and it has a very oily mouthfeel.
Finish: Hot and long. Comments: An upcoming bottling. Not overly complex, but good for an Islay fix any time. Initial Score: 87

Lagavulin 25yo 1977 (57.2%, WIP)
Color: Amber gold. Nose: Caramel and smoke, vanilla, honey and cream.
Palate: Sugary smoke, sweet oak and some cinnamon spices.
Finish: Smooth and long. Comments:  A more mature Lagavulin, laid back, subdued but not conquered. Initial Score: 90

Talisker 20yo 1982 (62%, WIP)
Color: Red gold. Nose: Honey, sherry, caramel, licorice and spices.
Palate: So oily as to be syrupy, sherry, cough syrup and mint.
Finish: Warming. Comments: A Talisker with no hint of peat, pepper or smoke.  Amazing. Initial Score: 92

Wow!  That last Talisker was amazing, although it had no house character whatsoever.
It looks like there are some promising things coming from UDV in the near future and I will be in line waiting!  Socks having been knocked completely off, I stumbled my way back to Claggan Farmhouse in Bridgend, my accommodation for the next week, stopping in first at the various festivities Lagavulin lined up outside the distillery. A small barbeque, games and music really provided a wonderful accent to the malts and tour.

After unpacking at Claggan, I headed off to do some shopping at the Co-op in Bowmore.  Of course a visit to the whisky shops and Lochside Inn bar were in order.  Not much time here either, because upon my return I was delighted to find Dave had arranged a vertical tasting of all the Springbank Limited Edition bottlings….
Hoo-hah let's get this started!

Springbank 25yo LE (46%, OB)
Color: Deep golden brown. Nose: Springbank all the way- that classic sherry Springer nose of coconut, chocolate, spices, burnt coffee and slight brine, with nuts and salt. Palate: Oily mouthfeel, rich, deep chocolate covered cherries, syrupy sweetness, like thick sweet cream over burnt chocolate sprinkled with coconut shaving. Finish:  Deep and warming.
Comments: My favorite of the entire run.  A classic Springbank not to be missed. Score: 95

Springbank 30yo LE (46%, OB)
Color: Golden brown. Nose: Like the 25 but starting to mellow down and develop more fruity characteristics.
The chocolate and coconut have subsided somewhat and calmed down in favor of slightly phenol tones and some sherry.  More fruity and spicy notes emerge.  This is a big whisky. Palate:  The distillery character is augmented by more spicy, oaky and fruity notes, and the sherry will not take a back seat either.  The integration of sherry, slight smoke, fruit and classic Springer profile make this a wonderfully complex and huge whisky. Finish: Long. Score: 92

Springbank 35yo LE (46%, OB)
Color: Golden. Nose: Another Springbank stunner.  Maturity has added greater complexity and depth.  Not content with settling down, we get coconut, brine and chocolate- some nuttiness in there, as well as some cinnamon and cloves.  Perhaps even a hint of citrus rind. Palate: Confirmation- spicyness, oily in the mouth, chocolate marshmallow and fruit- like those orange chocolates you smash on the table.  Slight bitterness in the end. Finish: Long. Comments: Another great one - held up well for it's age. Score: 90

Springbank 40yo LE (40.1%, OB)
Color: Gold coins. Nose: Buttermilk, cream, coconut, brine and passionfruit.
Palate: Flat, dry mouthfeel, heathery and overly woody.
Coconut cream milk struggles to come through. Collapsed with only a drop of water.
Finish:  The dying breath of a weak, bitter old man. Comments: For the Springbank zealot, a "subtle" "restrained" version. For me personally, way too strung out and past its prime. Score: 84

Springbank 45yo LE (40.1%, OB)
Color: Gold. Nose: A return to the norm.  This is not ready to die down yet.
Springbank all the way again, with passionfruit, kiwi, moving to creamy milk chocolate.  Sea salt and coconut with raisins.
Palate:  Intensely oily in the mouth, creamy and resinous.  Left a coating in my mouth that lasted for hours.  Sugary cream, salted almonds and chocolate covered nuts.  These flavors were somewhat subdued by the wood, but held in restraint, like seeing yourself in the steamy bathroom mirror after a shower. Finish: Delicate
Comments: Although I prefer the younger ones, this one is excellent as well.
Somewhat of a departure from the norm. Score: 89

Springbank 50yo LE (40.5%, OB)
Color: White wine. Nose: Restrained smokiness and salt, the Springbank character is there but truly held in restraint.
Like driftwood, chiseled away by years of tide.  Smoke, chocolate and coconut are in the distant rear with subtle tones of milk and cream.  The mouthfeel is creamy yet mellow with age. Palate: A confirmation again with a slight sweetness and fruit struggling to come to the fore. Finish: So delicate and short
Comments:  Faded glory.  Not strung out, but a proud old man.  I can barely find words to describe the effect- like an old book handed down from generation to generation- once it is opened it springs to life once again.  Like tasting a dream.  Excellent for the sake of the experience, and a great whisky to boot. Score: 88

May 25th, 2002 - Bruichladdich

The drive from Bridgend to Bruichladdich follows scenic coastal roads hugging Loch Indaal.  After spending some time on the beach before the distillery woke up for it's big day, I made my way in.  Bruichladdich  was built in 1847, and what set it apart from it's counterparts on Islay is that it was built for the specific purpose of a distillery as opposed to a converted farmstead or smugglers squatting ground.  Walking into the distillery courtyard- you can see that although there is a haunting beauty here it was certainly designed for function.  Everything is centrally located from the courtyard, from the malt hatches all the way to the main office.  It's obvious this place has been well cared for recently, sporting fresh whitewash and some TLC work on the buildings.  This is a stark contrast to only 2 years ago, when the distillery sat behind a chained rusty gate, in decay.
I was given a tour by Simon Coughlin.

To say Bruichladdich is traditional would be an understatement.
To quote Jim McEwan: "Bruichladdich will not have computers- EVER".
Everything here is done by hand.  There are no automatic valves or computers.
The mill, the mash tun, the boilers- much of the plant is original, from around 1887.
The new owners struggled to repair and refurbish what they could- what they could not was faithfully reproduced- and it shows.  If you are interested in seeing whisky how it used to be- how it was meant to be- come to Bruichladdich.  If you ever bump into Richard Joynson from Loch Fyne Whiskies ask him for his rendition of the tour- you won't regret it! After visiting the shop to pick up my special bottles (Several Valinch bottlings plus the new Country Life offer), I made my way to the filling store to fill my Feis Ile Valinch.  After filling, bottling and labeling, I spotted the cask filling machine had a leak… So of course I took a wee drappie of the clearic… It was undoubtedly Port Charlotte distillation and was simply amazing.  I tell you now- Port Charlotte is drinkable and wonderful from the still. It is even better at 1yo in a sherry cask, but more on this later. Now it was on to the Masterclass with Jim. After a rousing training and exciting performance by Islay's prodigal son, Jim McEwan, we were ready to taste some whiskies.

Bruichladdich 15yo (46%, OB, current release)
Color: Golden honey. Nose: Creamy, melon, slight citrus, some sherry and vanilla in the end.
Palate: Vanilla, slightly briny, zesty oak, citrus comes through and there is definitely a subtle maritime influence.
Finish: Long but gentle. Comments:  The best of the 3 current releases, not as brash as the 10 or as sweet as the 20. Score: 90

Bruichladdich 32yo 1970/2002 (45.8%, OB, First fill bourbon cask)
Color:  Deep, dark gold. Nose: Stunning. Caramel, vanilla, coffee, chocolate, cream.
A whiff of mint and a hint of the sea.  There are delicate orange and pear notes in the end.
Palate: Amazing, oily mouthfeel.  Coconut, vnilla and caramel drizzled over vanilla ice cream. Burnt caramel.
Sweet and malty, the flavors mingle well together, showing a bit of wood zest and a hint of smoke.
Ever so slightly the citrus comes through. Finish:  Deep, long and warm.
Comments:  This is one of the best whiskies I have ever tasted in my life.
Will be marketed as the "1970 Vintage" from October, 2002. Score: 95

Bruichladdich 18yo 1986 (52.5%, WIP, Fresh sherry cask)
Color: Red amber. Nose: Sherry sulphur, cherry, lemon zest, melon and ozone.
Palate: Sherry sweetness moving to orange and raisins. Nutty and herbal notes emerge after time and then end with some oaky tones.
Finish: Somewhat dry but long. Comments: A wonderful cask sample of a fresh sherry 'Laddie. Initial Score: 89

One of the best parts of the class was a presentation for a gentleman who had worked at the distillery since time out of memory and had actually distilled the 32yo tasted above.  His family was in attendance, sitting behind me, and beaming with pride.  The presentation was given to Robin Laing's "Coast of Heaven"- I was not the only one with a tear in my eye.  It was both exciting and moving to be at Bruichladdich.  I could spend pages mentioning the other wonders, such as the Pipe Band marching through town, for the first time in years; the dancing, the hospitality, the wonderful food and best yet- the people.  But as many of those people did, I threw down my notebook, tossed aside my pen and camera and got lost in the magic of it all.
If you visit, I am sure the same will happen to you.

Monday May 27th 2002 - Caol Ila/Port Ellen Maltings

Caol Ila is tucked away in a cove near Port Askaig, on the north of the island.
Most of the current distillery dates to 1972, when the old buildings were knocked down and a new plant built.  Production resumed in 1974.  Although Caol Ila is set in some of the most beautiful and rugged terrain on Islay, it's buildings are highly modern and functional.  All that remains of the original are warehouses.  The distillery embraces its parent company's ideals- respecting the old but embracing the new (having adopted computerization but using dunnage warehousing for it's single malt and pine for the washbacks).  Of course the highlight of Caol Ila is the still house; which has large glass windows that overlook the Sound of Islay.  These windows can be removed for the replacement of still house equipment.  I once shared a dram at the Port Askaig Hotel bar with a man who claimed to work for SMD (who went on to become UDV) as a smith - he claims to have been onsite during the installation of the stills in 1974 - he described cranes removing the very large windows and then moving the stills in. Later, I verified this method through photographs. Incidentally, he doesn't drink malts, only Whyte & Mackay with plenty of water.

After the tour it was on to the warehouse for a coopering demonstration and a tasting of the new malts lineup. A limited amount of coopering is done onsite, with the major work being done on the mainland by company coopers.
It was a nice display, albeit simple.  I was eager to get to the malts.

Caol Ila 12yo (43%, OB, new release)
Color: Light gold. Nose: A hint of rubber, kick of smoke, barbeque and smoke.  There are some sweet, malty notes at the back.
Palate: Brash and youthful, not as smoky as the nose, herbal and floral notes and barbeque smoke at the end.
Finish: Short and bitter. Comments:  Reminds me of the Flora & Fauna 15, but with rubber - is it from sherry influence? Score: 82

Caol Ila NAS Cask Strength (55%, OB, new release)
Color: Light gold. Nose: Smoke, peat bonfires, pungent monster with no apologies.  Burnt driftwood, wild fires by the ocean. Palate: This is a monster- tougher than most Caol Ila's.  Peat, smoke, barbeque, mustard and alcohol burn. What an Islay malt should be.
Finish:  A kick in the teeth. Comments: My pick of the three. Score: 87

Caol Ila 18yo (43%, OB, new release)
Color: Deep gold. Nose: The smoke has died down in favor of herbal and fruity notes- pear, apple, raisins, heather and melon.  The smoke is in the background, subdued. Palate: Wet grass, zesty herbs, slight smoke, apple.  Mustard finally comes through and to finish some wood zest. Finish: Zesty and long. Comments:  Not a typical Caol Ila by any means, but has merit on it's own. Score: 84

After some wrangling to get out of my parking spot (with the help of some clever Germans we figured a way around someone who had boxed me in) it was off to the Port Ellen Maltings for a tour. After the tour, which brought us through all aspects of malting - from selecting barley to the malting itself (in giant drums), to the delivery to the distillers themselves, we were treated to venison smoked burgers and a malt tasting, with a "chance" to win a bitof the new Port Ellen 1979 OB… Of course I "won" a stiff dram.  I had already had some of this (see previous notes) from my own bottle bought in Edinburgh, but who was I to refuse?

Another great aspect of the Maltings tour was being able to taste the barley in different stages of production - and at different peating levels.  In addition, all Islay malts were presented later for nosing, with the aged product, the clearic and the source water.  The difference among the Islay distilleries in terms of water quality is amazing!  In addition I found certain clearic to be very palatable as opposed to other new make spirit which was just frightening.  I won't name any names, but let it be known there is a difference in the clear spirit that runs from the stills - a staggering difference.  I tasted some wonderful, exciting spirit that was drinkable now as opposed to some real stinkwater.

After the tour, it was back to Claggan for more Freestyle Marathon Dramming…

Old Pulteney 26yo 1974 (46%, Highland Selection)
Color: Light gold. Nose: Sea air, ozone, slight peat, cream and heather.
Palate: Vanilla sweetness and brine, wood zest and a hint of peat.  A little flat.
Finish: Astringent and dry. Comments: A bit flat and spirity for my liking. Score: 78

Ardbeg 25yo 'Lord of the Isles' (46%, OB)
Color: Pale gold. Nose: Classic Ardbeg oily reek, sherry, peat smoke, citrus and creosote.
Palate: Oily mouthfeel, smoky barbeque sauce, mustard. Lemon, peat and smoke.  Sooty and greasy.
Finish: Long and mouth coating. Comments: Yummy. Score: 90

Ardbeg 10yo 1991 (60.3%, Cadenhead's Bond Reserve)
Color: White wine. Nose: Gym socks, burnt pretzels, pepper and smoke.
Palate:  Tar, spicy notes with liquid smoke and citrus, salted nuts.
Finish: Long and hot. Score: 92

Caol Ila 7yo (60.2%, SMWS 53.52)
Color: Faded gold. Nose: Herbal zest, barbeque and mustard, vinegar and burnt logs.
Palate: Smoke, seaweed and peat in waves… Herbal tones hit in the end.
Finish: Long and fiery. Score: 87

Bunnahabhain 31yo 1967 'Rare & Old' (40%, Gordon & MacPhail)
Color: Honey. Nose: Hard, salty caramel, salt water and sulphur.
Palate: Ginger, ozone, lemon zest. Finish: Zesty and medium length. Score: 89

Tuesday, May 28th, 2002 - Laphroaig

This morning we headed over to Laphroaig for the supertour with Iain Henderson - a true gentleman and a lover of all things Islay.  This was my first chance to see a working distillery with maltings - it was a rare treat.  We were treated like royalty as we were escorted through the sacred halls of the distillery, like acolytes following the head druid in a glorious ceremony.  In the end, Iain stayed on to sign my "rent" dram, and show me around the back rooms of the distillery, to Bessie's office and the corporate entertainment area, then to the café for a wonderful light lunch. The distillery was founded in 1815 on farmland used by illicit distillers - but the current buildings date from much sooner.  There is an air here of dignity and respect- something that shows through in all the employees- that they are part of something so much larger…After a long day touring the Kildalton countryside and seascapes, and visiting the obligatory Kildalton Cross and Chapel it was home to have some Laphroaig, of course!

Laphroaig 13yo 1984 (59.8%, Cadenhead's)
Color: Straw gold. Nose: Wet, salty rope, seaweed and driftwood- astringent and tar.
Palate: Pepper, hard pretzels, HOT! Burnt peat, heather and licorice. Finish: Endless.
Comments: One of the longest finishes ever, at about a good solid 20 minutes. Could be tasted an hour later. Score: 88

Laphroaig 10yo 'Cask Strength' (57.3%, OB)
Color: Deep gold. Nose: Smoke, peat, barbeque smoke, burnt oak, smoke and pepper.
Palate: Peat monster, iodine medicinal notes, smoky and ferny. Finish: Signature Laphroaig long, medicinal finish.
Comments: They kicked it up a notch or two with this one. Score: 89

Laphroaig 15yo 'Red' (45%, OB, Old bottling; bottled early 1990's)
Color: Deep gold. Nose: caramel, smoke, seaweed and peat.
Palate: Leafy and herbal, smoky, burnt seaweed, iodine but no "Laphroaig attack".
Very complex and restrained. Finish: Warm and long. Score: 92

Bunnahabhain 1968 'Family Silver' (40%, OB)
Color: Rich gold. Nose: Vanilla, slight peat, sherry and some sea air.
Palate: Spicy cloves and cinnamon, ginger and lemon, melon. Finish: Woody. Score: 90

Isle of Jura 21yo (40%, OB)
Color: Golden brown. Nose: Treacle, caramel, coffee and chocolate.
Palate: Underdelivery, cloyingly sweet, a bit flat but has a rich mouthfeel.
Finish: Warm. Comments: The best Jura in the standard lineup, but still not worthy of regular patronage. Score: 81

Wednesday, May 29th, 2002 - Bruichladdich Mega Private Cask Tasting with Jim McEwan

Today was the big day we had all been waiting for - our private cask tasting with Jim to try and select the next bottling of the "Arbeggeddon".  Although today was supposed to be Bowmore's big day, it had to be sacrificed for the greater good.  It was time for us to go feast at the altar of the Malt Gods - The Bruichladdich Warehouse.

We arrived at the onsite warehouse and went right to town.
Jim was a madman, dashing from cask to cask, extracting the bung and pulling samples with the Valinch.  For fun, we started off with refill sherry casks from 1989.  After tasting samples from about 20 casks or so, I liked cask #3199 best which had notes of chocolate, banana, caramel and melon.  A good start to a good tasting.  Then it was on to 1987 1st fill sherry casks.  Of these, I favored #1360 and 1361 which had notes of blackberry, chocolate, caramel and cantaloupe. All the while we were tasting, Jim was going on in his usual way, telling stories, giving advice and being very hospitable.

Later, it was in the van and over to Port Charlotte to taste some older stuff.
We opened some vatted casks from 1984 - bourbon and sherry cask #00/925 was excellent - showing notes of vanilla, caramel, grape pulp and citrus.  Simply amazing.  In Port Charlotte I was able to get a sample from my 1 year old cask of Port Charlotte in fresh sherry.  It is remarkable for a 1yo and highly drinkable.  In fact, Jim offered to buy my cask back (I think he was serious!).  Finally, we tasted another 15 casks selected at Jim's whims.

Needless to say I was tasting and not nosing, and becoming fuzzier by the minute.
I swear, somewhere in the haze, I tasted some whisky which was so amazing time stopped and I was one with the moment, just me and the whisky - the earthen floors, 200 year old walls and whisky made by hand, the old fashioned way.  I truly was on the coast of heaven.   We tasted about 40-50 casks and found many, many gems hiding out in the sacred archives of Bruichladdich.  Keep your eye open in the future - there is bound to be some amazing stuff rolled out of these buildings. After the tasting, I practically needed to be rolled home to Claggan. There I took a bike ride up to Port Askaig and back, savoring the early summer air and the late evenings.
Tonight, only one tipple could satisfy my urges - Bruichladdich.

Bruichladdich 32yo 1967 (48%, Signatory Vintage)
Color: Deep amber. Nose: Sherry, slight iodine, chocolate, slight peat but no smoke.
Palate: Burnt chocolate and caramel, over-ripe oranges, melon and sherry.
Finish: Short & sweet. Score: 89

Bruichladdich 10yo (46%, current release)
Color: yellow gold. Nose: A bit of the fire of youth, sour apple, pear, sea spray and mint.
Palate: Malty and sweet, but not afraid of it's young age- brash but subtle.  A spoiled brat.
Finish: Sweet. Score: 86

Bruichladdich 20yo (46%, current release)
Color: Full on gold. Nose: Sea spray with fruit, lemon, melon, orange and a slight tang of caramel sweetness.
Palate: Very complex, sweet bourbon, vanilla, with a tang of citrus and the smoothness of melon.  Well integrated.
Finish: Zesty and long. Score: 87

Thursday, May 30th, 2002 - Ardbeg

It was another early morning; if by chance you hear of the "enthusiasts" who lined up in Ardbeg's car park at 8 am, well you wouldn't be surprised to know it was me and a few other brave souls.  After a poke around the scenic grounds, nestled on the southeast coast of Islay, up the road from Laphroaig and Lagavulin, I had a glance around the disused maltings building on the other side of the car park.  It was like walking in an ancient burial ground; quiet, empty floors, old kilns ripped of their essence and silent pagodas all now inhabited not by men but by ghosts, and straining against the onslaught of the years.  Quietly, I offered a silent toast to those who walked before me in this place, all of whom made Ardbeg what it is today.

After a morning dram of Ardbeg 17yo among the barrels in the courtyard, we were greeted by Jackie Thomson and welcomed into the visitor center.  After poking around for a bit in the shop, the first group of maniacs (let's be honest here) were ushered into the filling store for a most solemn ritual we had all been waiting for - personal cask filling.  When Ardbeg had announced that we were going to be able to personally roll, fill, label and seal a cask of new make Ardbeg, my group made the pact to not miss it for anything.  Standing in line, I was told my cask number (1427 - bourbon barrel) and given a miniature of Ardbeg 17yo as a token.  When my time came, I used the paint roller to stencil the cask, wrote my name and a personal message on the cask, then donned the gloves and rolled it to the filling hose.  The filling machine is automated, and after a brief instruction, I pulled the lever and in less than 30 seconds it was full.  I was given the bung and a mallet and sealed the cask and rolled it to the side.  It was all over in a few minutes, but I won't forget it - and neither will you one day when you spot a single cask bottling from my proud barrel!

I rushed back for my tour with Stuart Thomson, distillery manager.  Ardbeg has definitely seen some hard times, but it is very evident that Glenmorangie have put their all into it now- ensuring us that it will remain and endure for quite some time.  The physical plant of the distillery is in good shape- and well cared for.  Much of the plant is old and some is newer- the mill is a Boby and dates from 1921, the washbacks are split between newer pine and older larch and the mash tun dates from 1961.  This goes to show you the eclectic attitude of Ardbeg and its owners- if it works, leave it alone.  Tradition is very much the norm here, and use of modern technology is restricted to areas which will not adversely affect the character of the product (warehouse, shop, filling store…).  After our wonderful tour, I resigned to the Old Kiln Café for a superb lunch of tomato and cheese toasties, Scotch broth and Clootie Dumpling w/ ice cream.  Who do I bump into there? None other than Jim Murray!  After chatting with him, giving me tips and pointers on various malty topics, he tells me he would never miss out on Ardbeg's big festival day, for he truly believes that it is the greatest spirit on Earth.  I take this comment very seriously, and weigh it for a moment- all the while taking in my surroundings; breathing in the fresh coastal air, feeling the warmth in my stomach from the dram of Ardbeg 1975 straight out of a fino sherry cask- served to me in the warehouse by Stuart Thomson.  Greatest spirit on Earth?  I could not agree more.  I shared what was left of my fino Ardbeg with Jim.  He seemed genuinely pleased with my offering.  Isn't that what it's all about?

Later on, it was time for the special Ardbeg dinner hosted by Martine Nouet and Stuart Thomson.
After such a day, I could hardly imagine how it could get any better.

Appetizer: Tuna, lettuce and lemon served on a buttered oatcake.  Spanish olives.
Whisky: Ardbeg 10yo (46%, OB)
Comments: I found the combination of flavors here to be delicious.  The oatcake assembly, however delicious, was too overpowered by the muscle of the peat and smoke, but the olives mingled well.

First Course: Sweet potato veloute with a cloud of lime, perfumed cream and Islay scallops marinated in Glenmorangie served with an Ardbeg grist roll.
Whisky: Glenmorangie 10yo (43%, OB)
Comments: I found the vanilla and caramel sweetness of the Glenmorangie worked well with the sweetness of the potato and contrasted well with the peaty bread.

Second Course: Islay Kildalton Beef Casserole with whisky sauce.
Served with glazed sesame carrots and a mushroom & oatcake flan.
Whisky: Ardbeg 17yo (40%, OB)
Comments: Sadly, this combination did not work for me.  The strong beef flavors overpowered the lighter citrus notes of the whisky; all I could taste was alcohol burn.  I believe either a more robust or a sweeter dram would have worked better here.  The food itself, however, was excellent on its own merits.

Main Desert: Citrus fruit salad with malt tea jelly & Mary's marmalade and Mary's shortbread
Whisky: Ardbeg 25yo 'Lord of the Isles' (46%, OB)
Comments: This combination was brilliant.  The strong, rich and flavorful Lord of the Isles is the perfect after dinner dram, and it's intense flavors were further heightened when taken after my palate had been refreshed by the light citrus salad and and shortbread.  A wonderful contrast.

Final Desert: Coffee, cardamom & whisky chocolate cream
Whisky: Blind
Comments: To my palate, this combination was the best of all time.  The chocolate cream was intensely rich and melded with the spirit well.  It was signature Ardbeg, sherried and old.  It was definitely over 50%.  Overall, a spectacular evening, and three cheers for the people at Ardbeg and Martine for making it happen.
Stuart announced before we left the mystery dram was a 1976 Ardbeg from an oloroso cask at 53.1%.
 

Friday, May 31st, 2002 - Bunnahabhain

The long, winding road up to the distillery makes for a breathtaking drive, especially on the hill overlook the distillery itself as you descend into the cove that harbors it; but nothing can prepare you for what awaits you here.  Here, more than anywhere else I have been on the island, here is where you can find a classic example of "Island Time".  From distillery manager John MacLellan to the greeters in the office, I was given my fare share of face time and treated like a valued friend; all within the context of a relaxing, slowly paced visit.

Bunnahabhain was built around 1881 - there was a major expansion in 1963 but not much has changed.  This distillery has a very functional appearance, looking more like a plant than a tourist destination.  I was more apt to ask for a hard hat than a dram of their very fine 12 year old malt.  Aside from the industrial appearance (although I must admit it is situated in the most scenic of locations- on the Sound of Islay overlooking the Paps of Jura) there is a charm about this distillery.  The distillery workers were hard at work in the guest room hand labeling the special Feis Ile bottling of 1966 when I arrived, and the pride and care they took in that simple task was clearly evident.  The men held these bottles in hand as if it were their own newborn child, fresh from the womb.  I was impressed.

I admit, Bunnahabhain has sometimes been perceived as an underdog in the whisky circles I frequent.  That's not to say I don't like it - far from that actually, I have had quite a few excellent bottlings from this distillery; but sadly, it is too often overlooked.   The only way to put it to words is that I was very pleasantly surprised; not only by the wonderful treatment I received from Manager John MacLellan and the rest of the distillery workers, but by the quality that was evident in the process and the product.  At my post tour dram, I looked at my Bunnahabhain 12 in a new light…

Some other items of note were the odd, onion shaped stills, the self-catering flats (in the distillery grounds available for rental), and lastly, only a five minute walk around the corner the wreck of the Wyre Majestic easily spotted from shore.  After our dram, we were invited to a wee seminar on grain whisky and blending.  On my way out of the filling store, I spotted a sherry butt labeled "Bunnahabhain 1966".  The bung hole was bung free so I took a whiff- an amazing interplay of sherry sweetness and malty tones with a bit of peat.  I was hooked.  I immediately picked up a bottle of the festival special. Results of the dram and grain tasting are below.  The 1966 will be opened at Ardbeggedon this January along with my Douglas Laing Platinum Ardbeg and Brora, watch this space.

Bunnahabhain 12yo (40%, OB)
Color: Amber. Nose: Sea spray, mild smoke, fruit, melon and citrus.
Palate: Somewhat light and dry, a bit of orange and mint.  There is a hint of caramel in the finish.  Very refreshing.
Finish: A whisper of peat and fruit. Comments: Wonderful.  Much better than I remember it, but it doesn't get much better than sampling it at the source, does it? Score: 86

Invergordon 10yo (61%, OB, single grain whisky, ex refill casks)
Color: Pale white wine. Nose: Vanilla, bakers cocoa, harsh alcohol.
Palate: One dimensional, harsh, varnish like. Finish: Bitter and astringent.
Comments: Use to remove paint. Score: N/A

North British 7yo (62%, single grain whisky, ex bourbon casks)
Color: Nearly clear, hint of yellow. Nose: Caramel, vanilla, banana, bubble gum.
Palate: After the burn subsides, it's a bit pleasant but not complex- vanilla and banana with some bubble gum in there.  A bit harsh still. Finish: Dry and bitter. Comments: Almost drinkable. Score: N/A

Strathclyde 5yo (61%, OB, ex refill casks)
Color: Nearly clear, hint of yellow. Nose: Varnish, wood spirits, carpenters shop.
Palate: Absolutely revolting- like paint remover. Comments: Blech!  Score: N/A

After this tasting of mostly pathetic young grain whiskies, I needed to wash my mouth out with something better- so it was off to Claggan to drink until the Manager's Ball started…

Springbank 34yo 1967 (40.9%, Hart Brothers)
Color: Golden brown. Nose: Cookies, raw cookie dough, vanilla, ozone and coconut.
Palate: Vanilla sweetness, that Springbank coconut and chocolate comes through but the wood has risen to get in the way.
Finish: A bit zesty due to the wood. Comments: A bit past it's prime. Score: 85

Aberlour 12yo 'Sherry Matured' (40%, Duty free)
Color: Red gold. Nose: Minty, spicy, toffee, a bit of sherry sulphur and butter.
Palate: Spices like cloves and cinnamon, dark chocolate and orange/citrus, mint and toffee and sherry in the backpalate.
Finish: Long and warming. Score: 87

Ardmore 23yo 1977 (58.7%, Signatory Vintage)
Color: Golden yellow. Nose: Smoky, leafy and herbal.  Some floral ester notes comes through on top of the curtain of mild smoke. Palate: Sweet and smoky, oily in the mouth and after a drop of water the herbs and spices come out to play.  Intense and complex. Finish: Long and smoky. Comments: Ok this is the third Ardmore I have ever had, and they were all quite nice! Score: 84

No more time to dram, it was off to the Manager's Ball and auction; where a good time was had by all at the expense of soon-to-be-retired Iain Henderson of Laphroaig, who was the subject of a constant ribbing all night.  There was a charity auction of cask ends, plenty of Bunnahabhain and Black Bottle and not to mention the music.  A good time was had by all, and it was off to bed for me, after about 7 or 8 drams I didn't have time or motivation to record notes for….
It was up early to pack and catch the ferry home…

Saturday June 1st, 2002 - Port Ellen to Kennacraig

I awoke to a beautiful sunshine coming in my window.
What better time than to enjoy a morning skalk or 3, starting with Ardbeg - the breakfast of champions!

Ardbeg 33yo 1967 (49%, Douglas Laing Old Malt Cask)
Color: Deep gold. Nose: Bonfires of peat, iodine, burning lemon rinds, oil and seaweed
Palate: Oily in the mouth, liquid smoke, peat, citrus and dried lemon. Finish: Salty, long. Score: 90

Bruichladdich 1986 'Malcolm Greenwood Book Special' (53.5%, Oloroso casks)
Color: Red amber. Nose: Melon, sulphur, chocolate, cherry and a whiff of smoke. Superb.
Palate: Sherry, chocolate and a hint of smoke (no peat).  A bit of mint and toffee.
Finish: Sweet and lingering. Comments: Outstanding - but very limited. Score: 89

Glenrothes 1989 (43%, OB)
Color: Deep gold. Nose: Fruit and vanilla, honey like and herbal.
Palate: Orange, vanilla, very fruity and oily in the mouth. Finish: Long and the fruit endures. Score: 86

I arrived at Port Ellen ferry early, with enough time to wander, contemplate and realize how enraptured I was with this wild, desolate, yet beautiful place.  I toasted to Islay- and to my week spent here- all the people, distilleries and experiences- I was honored to be a part of it- even if only briefly.  I quaffed the Ardbeg 10yo in my flask, as the ferry pulled in to the terminal.  A half hour later, I watched the warehouses of Lagavulin, Laphroaig and Ardbeg shrink slowly into the mists; the same mists I had seen them rise from not a week before- my heart sunk a little lower in my chest, my head bobbed low and I felt as if I had aged a thousand years in one single moment. Now I know what it's like to have "Islayitis".

But I could not look back forever, for there were more adventures waiting, more lands unexplored, and better yet, more bottles to be opened!  Tune in next time for my malty adventures on the Isle of Skye…

Michael Wade
 

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E-pistle #03/04 - The Islay Festival: Miss & Mess
by
Serge Valentin, France 

Well, this will be probably the shortest E-pistle you'll ever read...

I promised a due report on the Islay Festival, and here it is.
Together with my wife Frederique and friends Margaret and Olivier, we had a wonderful time on Islay. We met beautiful people; fellow Malt Maniac
Michael Wade and fiancée, writers MJ and Martine Nouet, Mark Reynier (again), Jim McEwan, Gordon Wright, Isabel and Simon Coughlin, Iain Henderson, and many others. We had excellent food - hmmm, that 40yo lobster at the Bruichladdich party! We tasted fabulous malts; PEs, Bruichladdichs from the casks and some fabulous-as-always Rangen de Thann from Olivier's. I bought approximately twenty great bottles, including the Ardbeg 1976 'limited bottling for the festival', some Committee bottling, some Laddie's valinches etc. Not to mention a Laphroaig 30yo with a kind personal word from Iain Henderson on the label.

OK, enough name-dropping.
Sadly, I did put all my bottles in a suitcase, because I wanted to keep my hands free for buying some other bottles at Heathrow. The flights from Glasgow to Heathrow (British Airways) and from Heathrow to Basel (Switzerland) went well, except that my suitcase never reached Basel. I gave twenty calls to Swiss Air, sent many letters and emails - Nada, niente, nichts, nothing. These people are just useless. And they just do nothing to help you. Why? Just because it's much cheaper to pay you 400 bucks than to try hard to find your luggage. It's a steal. I know 3 people who happened to 'lose' their baggage while transiting through Heathrow this year. All did contain some bottles of whisky!

Heathrow is just a mess, f... them!

And the people at Swiss Air are the less effective ones one could find on Earth.
No wonder they went bankrupt. So, never, ever put expensive bottles in a suitcase when transiting through f... Heathrow. I've been stupid to do that myself. Anyway, I think you understand now why I'm not in the mood for writing a long E-pistle.
Sorry about that.

But you could always read Michael's excellent E-pistle about the festival! Mine could not have been better.
And please, if you ever find a bottle of Laphroaig 30yo with a word for Serge on the label, send me an e-mail.
I'll be glad to swap it for a regular Laph' 30. Thanks.

Serge
 

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E-pistle #03/05 - Maltmadness in Amsterdam
by
Klaus Everding, Germany

Can the presence of five malt maniacs rip the fabric of the single malt continuum apart?

A. Preamble
B. Macallan JOLT
C. Overproof Extravaganza
D. Working for the Matrix
E. Time to say goodbye
 

A.  Preamble

The 20th of June. Johannes had spoken out invitations and we came from all over the world. A very exclusive circle of course: Davin de Kergommeaux from Canada, Roman Parparov from Israel, Serge Valentin and his wife from France and Michael Fornalczyk and I from Germany. Was it the single malt elysium which was waiting for us? No, - just Johannes' flat in the rather desolate suburbs of Amsterdam. As always Michael and I muled a load of single malts from Hamburg to Johannes (worth 400 Euros). It seems that Johannes' hunger for new bottles has grown even larger because he received and equally large amount from Serge.
 

B.  Day 1: Macallan JOLT

Roman was already there when Michael and I arrived after 4.5 h in the car from Hamburg. Davin had to work or at least to listen at a conference at Den Haag and Serge was on the road from Alsace to the Netherlands.
What about a welcome-malt? Well the Aberlour NAS 'Antique' (43%, OB) seemed to be the right one. I tried the malt in a special nosing glass from Riedel (not the Riedel malt glass, more about glassware in a later report) which is designed to give a very large moistened surface. Pooh! That was a mistake. Sour smell (vomit), malt, vegetables, dry sherry, honey. In Johannes' cognac bowls (0.66 l) and in standard nosing glasses the Antique behaved more vivid, sweeter and more fruity. At least the taste was OK from my glass. Burnt candies, mint and spices, coffee. But it ended with an unpleasant lasting bitterness. 75 points was my rating.

Serge and Davin were still missing and this meant it was time for another malt. I had brought a bottle of Glen Moray NAS (40%, OB, 'mellowed in Chardonnay barrels') with me. Easy to drink and at 20 Euros a good bang for bucks. I was curious what the others would think about it. Medium pleased was the answer. Not bad for a malt in budget region. Meanwhile the Chinese food Johannes had ordered in foresight arrived. It is always good to have a good foundation when you have to face a lot of malts on one evening. And the list of Macallans was really quite impressive. Then Serge and two friends of Johannes (Maaike and Alexander, who were the hosts of Serge's bed&breakfast lodging) dropped in. Only the hard working Davin was missing. While we were all feasting on the Chinese food he appeared. Now we could solve the riddle about the pronunciation of his name. While Serge and I believed that he would keep to his French ancestors Johannes was of the opinion that he had assimilated the anglo/american langue.
Well Johannes was right, it is Davin like 'cabin'.

21.30 PM - the table laid out with more than a dozen of different Macallans. Time to start with the JOLT. One last word before I get to the malts. JOLT is the abbreviation of 'Joint On-Line Tasting'. But with five maniacs (Johannes, Davin, Roman, Serge, Klaus) assembled together in one place we were so busy with chatting, nosing and tasting that we kind of forgot to keep our e-mail exchange with the non-Amsterdam maniacs going.

The JOLT was organized as a series of H2H-tastings. For the ratings, consult the table later in this report. And please don't scold me because the tasting notes are so sparse. First of all, I didn't want to bore you with endless repetitions of the Macallan house style, and second of all…well,  there were so many malts to finish this evening...

Macallan 7yo (40%, OB, International) vs Macallan 10yo (40%, OB)

The Mac 7 is usually only available in Italy. This one here had somehow found its way into a duty free shop. It was a disappointment. Fruity and light with some sherry in the nose but also chemistry with artificial esters. The taste: sweet, fruity and some bitterness in the finish - not very macallanish. Those of the maniacs who had already tried the Mac 7yo earlier from another bottle agreed that their earlier experience was more pleasant. The Mac 10 gave an impression of the typical house style. Fruity sweetness, with raisins, sherry, toffee and a touch of  wood in nose and taste. Nothing to get crazy upon. I have better memories on earlier tasted Mac10s.

Macallan 12yo (40%, OB) vs Macallan 12yo (43%,OB)

Our fellow maniac Craig Daniels from Australia had sent alarming emails with the observation that the new 40% Macallan bottling has lost considerably in quality compared to the old 43%. Time to check this statement. When first poured into the glass the 40% unfolded a very strong aroma but with unpleasant edges. Waiting several minutes smoothed the edges but there was still something which should not have been there. The 43% Mac 12yo behaved like I know him - the typical aroma, no need to describe it again.

The differences in the nose could best be detected in Johannes' big cognac bowls. In the taste the differences between the two bottles were only marginal. Fruits, sherry, raisins, toffee, chocolate and wood in both. All maniacs present rated the 40% bottle at least 2 points lower than the 43%. This might confirm Craig's warning. But there is also another possible explanation. The 40% bottle was fresh opened whereas the 43% had some air for several weeks. I never experienced the necessity for breaking in with Macallans but maybe that has changed. 

Macallan 15yo 1984 (43%, OB) vs Macallan 18yo 1982 (43%, OB)

Now we come to the above standard Macs.
15yo: Nose - much sherry and fruits, beeswax and wood polish, some smoke - very close to the c/s Macallans. The 18yo: Sherry, wood, smoke, charcoal, wet earth. Both are very nice. Just put your nose over the glass and dream of fruit markets and dark woods. The taste of these Macallans offers more nuances than the 12yo. Strong and earthy sherry taste illuminated by toffee and a tingling flash of mint and citrus fruits for the Macallan 15yo. Pronounced woody notes, gentleman-like discretion not to boast with the bouquet and a fine balance are the aspects of the18yo additional to the Macallan house style. For me the winner is the 15yo malt. It is a little more agile and so it catches the winning point but just by a whisker.

Macallan 'Twenties' (40%, OB) vs Macallan 'Thirties' (40%, OB)

Serge had supplied the complete Macallan Travellers Series. Wow! Great! And thanks a lot. All maniacs were rather curious. It is said that Macallan tried to imitate the taste and style of Macs from earlier decades with these special bottlings. The bottles contain 0.5 litre and look very nice. The price is reasonable too, - 35 Euros here in Germany.
Nose: Twenties: very agile, sweet and fruity. Thirties: more cautious, organic sherry. After some time in glass the two malts get a more and more similar nose.
Taste: Twenties: starts a little bit limp, sweet fruitiness, then sherry. Thirties: Sherry and bitter chocolate, not very complex. I can't say that I was very much impressed by these malts. Let's see what the other two decades will bring.

Macallan 'Forties' (40%, OB) vs Macallan 'Fifties' (40%, OB)

My tasting notes become even more sparse. Nothing about the nose of Fourties. I guess this means that there were no surprising impressions like gunpowder, blood and steel aroma (remember this malt should resemble the world war 2 decade).  But the taste is really special. Lots of peat and some fruity sweetness. Have they composed it of a medium Islay and a below average Macallan? I don't like it. In the fifties, the house style must have improved. A big c/s like sherry nose in the Travel Fifties and also an above average amount of sherry in the taste.

Summary on the Travel Series: I think we all had expected amazing discoveries and were slightly disappointed. "What have you expected? They can't have chosen excellent malts", said Serge and pointed at the bottle's price. He is right. And so I will pronounce my harsh judgement: A clever Macallan marketing trick supported by Michael Jackson ratings which are definitely too high. If you like Macallan 10yo/12yo or older then keep drinking these malts, provided you are able to tame your curiosity. The Travel bottlings will not reach that standard.

Macallan 10yo '100 Proof' (57%, OB) vs Macallan 10yo Cask Strength (58,8%, OB)

It was already late at night when we came to the real heavy-weights. Two cask strength Macallan OBs. The Macallan 10yo 100 Proof  was a bottle  which Johannes had organized for me at my second visit at Amsterdam and I had been disciplined enough not to consume it all by myself in the month that lay behind. Now it served as a benchmark for the new Macallan c/s.
100 proof: An overwhelming punch of sherry, beeswax, furniture polish and wood. The nose drifts slowly into direction Macallan 12yo when you add water. The new c/s had an equally interesting nose, but woody sherry was not so pronounced. This gives fruits, raisins and toffee a chance to pop up.
The taste was equivalent to the nose. Very interesting and multi-layered. Sherry, Toffee, Wood, late fruits, - delicious. I go for the 100 proof as the winner because that heavy wood and sherry aroma is really unique. But  the new c/s is also really delicious. Go and get it.  With less than 50 Euros for the 1 litre bottle it will be very hard to find an equivalent malt in that region.

Ratings for Macallans tasted during the JOLT:
(SV= Serge Valentin, RP= Roman Parparov, DK= Davin de Kergommeaux, KE= Klaus Everding, JH= Johannes van den Heuvel)

07yo (40.0%) SV=59, RP=68, DK=70, KE=70, JH=65 (new, international bottle)
10yo (40.0%) SV=75, RP=76, DK=75, KE=85, JH=74 (new, international bottle)
12yo (40.0%) SV=82, RP=80, DK=78, KE=86, JH=80 (new, 0.7 litre)
12yo (43.0%) SV=84, RP=82, DK=82, KE=88, JH=86 (old, litre)
15yo (43.0%) SV=88, RP=87, DK=86, KE=92, JH=89 (1984)
18yo (43.0%) SV=88, RP=85, DK=87, KE=91, JH=89 (1982)
TE 20's (40%) SV=75 , RP=75 , DK=74 , KE=82, JH=74 (new, 50cl bottle)
TE 30's (40%) SV=77 , RP=82 , DK=78 , KE=85, JH=82 (new, 50cl bottle)
TE 40's (40%) SV=73 , RP=73 , DK=75 , KE=73, JH=72 (new, 50cl bottle)
TE 50's (40%) SV=78 , RP=77 , DK=77 , KE=78, JH=77 (new, 50cl bottle)
10yo (57.0%) SV=89, RP=xx, DK=xx, KE=92, JH=89 (100 Proof)
10yo (58.8%) SV=87, RP=xx, DK=xx, KE=92, JH=88 (Cask Strength)

Good night. With the overproof Macallans as a last kick off for our livers, one of the maniacs (I guess it was Serge) came to the conclusion that maybe we should stop here. Wise choice. But that left these independent bottlings unexplored:

- Macallan 1991/2001 'Speymalt' (40%, G&M)
- Macallan 1990/1999 (50%, 'John Millroy Millennium Selection')
- Macallan 1990/2000 'Dun Eideann' (46%, Dun Eideann)
- Macallan 1974/1994 (55.8%, SMWS)
- Macallan 1990/1999 (43%, SigVin)

Very sad, but it was well past 2:00 AM.
Everybody had surely had more than enough of his share of single malts. Serious rating was impossible. I admire Davin who had to go to work very early the next day (remark: he made it brilliantly while we others all snored). I didn't notice it, but my friend Michael said that he observed him dropping considerable amounts off the content of his whisky glass into a bottle for a special Macallan vatted malt. I fear I could not have withstood temptation with the delicious Macallans, even if I had to work the next day.

Serge headed back to the centre of Amsterdam together with Maaike and Alexander.  Roman was already fast asleep on the old mattress in the kitchen, having missed the c/s Macallans. He had slept only a few hours during the last days, so this is pardonable. Davin prepared for visiting Morpheus' arms as soon as possible. So there were only Johannes, Michael and I on the balcony. Enjoying one last malt and a cigar.

(Click HERE for the full MacJOLT transcript.)
 

C.  Day 2: Overproof Extravaganza

Spending Day 2 in Amsterdam. Slept medium nice on Johannes' couch.
No headaches thanks to the Chinese food yesterday.  England against Brazil WC football match on TV. Result: England is out. This is my fourth visit at Amsterdam and I still have to get used to that Johannes has no coffee at home. So I had to wait until we went downtown.

12:00PM - phone call with Serge. We will meet with him in the city, Rembrandts place. There is a nice café where we can have breakfast with an interesting overview on the streets. We, that means Johannes, Roman, Michael and I took the subway. We arrived relatively early and that meant we had time to purchase cigars, a good buy when you are in Amsterdam. Up the stairs to the café and waiting for Serge and his wife Frédérique. He came and it goes on as last evening: chatting, eating, smoking - only the malts are missing. But it was really too early for it. By the way, none of us showed traces of last eves tasting. 

13:30PM came near. It was a national duty for Michael and me to watch the world championship game Germany against the USA in some Amsterdam bar. We had discussed everything with Johannes. While Michael and I watched TV, the others would behave like the citizens every government wants - they went shopping. 
15:30PM: Germany had won 1:0 in an boring game. We had learnt that the Dutch are not too fond of the Germans and that their beer is of barely average quality. The others returned with bags full of plunder. Guess where they had been? Gall&Gall, one of Johannes favourite whisky stores. By now I got really worried about Johannes. Although he had received a years load of new malts last evening he couldn't resist purchasing new ones. Davin came from his conference and now we were all together again, sitting in a street café at Rembrandts place with the sun shining.

The Woods...

I think Johannes had cancelled most of his invitations for his famous midsummer festival because there was a large chance of rain. But the maniacs felt bold with the sun shining on their heads. Why not celebrate the overproof extravaganza at that mysterious place known as 'the woods'? Heading back to Johannes flat and filling the cars with malts and soft drinks. The woods are approximately 70 kilometres away from Amsterdam and one of the few places in the Netherlands which will not drown when the dams crash because it is almost 50 meters above sea level. The location is really nice. A small house and then a place with a shed where we sat enjoying the malts. Later we moved into the shed because it became too cold. The sleeping place lay on a clearing 50 metres into the woods. Here we erected our tents.

Short remark about the camp: 1. Johannes had just bought a new tent. He may be a true malt master but his knowledge to build up tents is very limited. He needed more than 30 minutes for that simple task. 2. I couldn't get the air mattress I had borrowed from my girl friend into any of the tents. Wow! 140 cm width, - that's really large. Did she want to sleep next to me in spirit? Now I had to decide either to sleep under the open sky or on plain ground in a tent.

Two other guests were joining us. No 1 a nice young lady named Esmeralda, the other one Eric dressed in an RTL overall who just came from a marathon TV-taping session. But now enough babble about the surrounding circumstances. I know what you really want to know about: SINGLE MALTS. We had a lot of them, but I must apologize. I didn't write down any notes. The tasting conditions were not exemplary with only one glass cleaned by a plash of water after each malt. And worst of all, usually I can drink malt in cask strength quite well but this evening every sip was burning in my stomach like a lump of phosphorus. 

These are some of the malts we had transported from Johannes' flat to the woods:

Aberfeldy 1978/1996 (59.3%, Scott's Selection, 70cl)
Aberlour A'bunadh No batch # (59.6%, OB, 70cl, Serge's bottle)
Aberlour A'bunadh Batch #6 (59.6%, OB, 70cl)
Aberlour A'bunadh Batch #7 (59.6%, OB, 70cl)
Ardbeg 24yo 1975/2000 (50%, Douglas Laing Old Malt Cask, 70cl, 713 bottles)
Benromach 19yo 1978/1998 (63.8%, UD Rare Malts Selection, 70cl)
Laphroaig 15yo 1985/2000 (50%, Douglas Laing Old Malt Cask, 70cl, 318 bottles)
Macallan 1974/1994 (55.8%, SMSW, 70cl, Serge's bottle)
Mannochmore 22yo 1974/1997 (60.1%, UD Rare Malts Selection, 70cl)
Port Ellen 22yo 1978/2000 (60.5%, UD Rare Malts Selection, 70cl)
Royal Brackla 20yo 1978/1998 (59.8%, UD Rare Malts Selection, 70cl)
Saint Magdalene 19yo 1979/1998 (63.8%, UD Rare Malts Selection, 70cl)

There were also two bottles which did not fit into the scope:

McCormick Platte Valley 100% Straight Corn Whiskey (40%, OB, 75cl)
And: A special present from Serge; Marc de Gewurztraminer 2001.
It's also known as 'Chateau XXX' - Serge doesn't want me to speak out this name because he fears that it might displease our American friends). It was a traditional Alsacian spirit, distilled by himself and some friends in his garden in Alsace by using a rented copper pot still (capacity: 200 litres raw material). Made out of late harvest (vendanges tardives) gewurztraminer raisins, after they had been pressed to make some wine. Never aged in oak casks, but in glass, to remain white. 50 bottles produced.

We strengthened ourselves with Chinese food again and then we were ready for the malts.
Three different batches of Aberlour A'bunadh. First bottle, no batch number. It had been more than 70% empty for a long time. This might have harmed the malt. The perfect balance so typical for the A'bunadh was gone. Batch 6 was the real McCoy. Smooth, round and perfect. Sherry together with sweet cream. Like a marble statue. I think I have raised my score for this malt again by one or two points but I must still confess that I still can't find a grip on this A'bunadh. Every time I try to catch it I loose my grip on the shiny surface. This is also the reason why I rated the batch 7 a little bit higher. This malt might have small flaws but this enables me to establish communication with it.

The next heavy weight was the Port Ellen 22yo 1978/2000 (60.5%, UDRM).
This is truly  a magnificent malt. But in my eyes it doesn't justify the price which begins to skyrocket into astronomical regions. I leave the description of this jewel to someone who has tasted it under better circumstances.

The Ardbeg 24yo 1975/2000 (50%, OMC) is another bottle which provokes nice memories. When we opened the bottle and poured a dram into our glasses Serge said "Oh boys, - this is exactly how it smells in the distilleries rooms." He had been at the Islay festival a month before and of course visited Ardbeg. But how does Ardbeg smell? Grain, leather, yeast? Damned, I have almost forgotten it. The same is true for the taste. Vague impression of an Islay rowdy who has settled down. Still able to deal out a peaty punch but now with finesse.

Meanwhile it had grown rather cold. And although the whisky warmed us we moved into the shed. I tried Serge's 'grappa'. A mistake because I didn't really like it. Sorry, I am no wine man. But the worst of all, it ruined my dram of St. Magdalene UDRM. Although I cleaned my glass two times with water the aroma of the Marc de Gewurztraminer was still there. Very sad but since Serge supplied me with a full bottle of this malt I could stand it.

The evening went on and it was time to go for Serge and his wife. Their children were waiting for them in France. A good excuse for a short break. Here some words of thanks for the women of whisky drinking men are appropriate. These flowers are so brave. The whole evening they have to endure the whisky babble, their men smell like a burned down building when they had some Islays and comes the time the man finally leaves he is at least in a state of slight drunkenness. A big thanks to these ladies.

Before it was time to say goodbye Johannes surprised everybody with a wonderful gift. Two large cognac bowls for each maniac. I think his idea was that this should become the malt maniacs reference glassware. In addition everybody received an empty black book for writing down tasting notes.

It was long past midnight when Johannes proposed a short stroll to a nearby ancient grave hill. I lay stress on the words "short stroll" and "nearby" because what came next was not exactly to my credit. Johannes wore a kind of helmet with lights on, Serge's marc and the really strange McCormick Platte Valley were our provisions. Then he guided us on stable paths to a place which looked like a field. He pointed towards the field with his lamp and said: "There lie the graves". I live in the northern part of Germany and I know something about ancient graves. This was neither a megalithic grave nor a real ancient grave hill (my famous cat Integra is buried under one of them), - just bullshit.

What came next was a horror to me. Back to Johannes' place by a 'shortcut' through the wilderness and the woods. I am not very sportive. In fact I have a considerable belly (pregnant with a sixpack of beer some say) and that means I am not too good on foot. We struggled through thorny bushes, meadows with knee-high grass and mud sucking on our shoes. Johannes seemed to enjoy it while I was in a terrible mood gasping for air. Only Esmeralda, one of Johannes' Dutch guests, seemed to understand my displeasure with feminine intuition. Hours later for me, but in fact only about 30 minutes later we arrived at Johannes' place again.

Time to have some nice malts again. Discussion about the world, politics and economy. Exactly the right stuff when you have reached a certain state of drunkenness ;-). Speaking of this state leads me to another interesting observation. Roman tells each and everybody about his Russian lore on the matter of alcohol consumption. Well single malts are not vodka. Some time during our chat Roman went outside the shed and the typical sounds of a defective pump could be heard. Honi soit qui mal y pense.   

Maybe 30 minutes later it was really time for the bed.
The birds were already making heavy noise.
I decided to sleep under the open sky.
The chance that it might rain was rather low.
 

D.  Day 3: Working for the matrix

Waking up in the woods. Spiders everywhere on the ground. Thank God that I have no arachnophobia. And again thanks that the boars living in the woods didn't visit us. We felt all dirty because of the lack of a refreshing shower and our mud crusted shoes and trousers. A huge mug of hot coffee would also be welcome - but again no chance.

We were now five persons with only one car. A lot of luggage had to be put into the boot. Splitting the group would not have been a good idea. So the five maniacs squeezed into the car which lay on the road like a battle tank. What to do next? The city of Amsterdam of course. Unwashed bodies and dirty clothes were no obstacles for a visit at a café and some single malt purchases at Ton Overmars. Now it is time for the truth about Johannes. He was unable to pull a parking ticket from the automats skirting the streets of Amsterdam. How could this be - the ingenious interface designer for websites was unable to operate his own native machines. But salvation was near. Michael and I can read the instructions written in the strange German dialect named Dutch and got the ticket from the parking meter.

Ton Overmars is a nice little liquorist but he had no malts that challenged me. At home in Hamburg I can select from a range of over 700 malts, here there were only 100-200. Very interesting was the fact that the new Springbank limited rare bottling 2002 15yo 46% had just arrived at Amsterdam. The shop clerk was full of praise and he used almost the same words as the guys in Hamburg where the malt arrived one month earlier. This underpins the remark that Serge made when I asked him about this special bottling. He said: "I suspect it is just the new 15yo and they sell it under the name "limited rare bottling" to catch the attention of collectors."

Back at Johannes' place we all took a shower and had a shave.
Ahh, human beings again but still infected by the horrible maltmadness virus.
So what comes next. SINGLE MALTS.

Serge had taken most of the independent bottlers Macallan home but Michael's Macallan 9yo 1990/1999 (43%, Signatory Vintage, sherry cask, natural colour) was still there. Nose: fresh, green apples, raisins, sherry. Taste: toffee, mint, sweet, fruits, not the house style, a transparent mediteranian lightness in the bouquet instead of the dark woods, finish very short. Everybody rated the SigVin Macallan somewhere in the region between 7yo and the 10yo Macallan, with the exception of Michael. Johannes exclaimed: "How strange, this malt doesn't really taste like a Macallan. In a blind test I would have difficulties to identify it." I think this is not strange and Johannes who has far more experience than I will surely know it. Independent bottling are often very different from the official bottlings. And now to the minority votum of Michael. It documents an interesting observation I have made. When you buy a malt and you think that it is an interesting discovery, you often give it a very high rating. Others drink it with a certain ignorance and sometimes vote considerably lower. The effect is increased when the bottle on the rating table is either rather expensive or very difficult to get.

The chapter Macallan was now closed. "Let's work for the matrix", Johannes proposed.  "Wow!" Some SciFi-fans might now think, "the maniacs decided to go into cyberspace together." Sorry, we are not ready for that experience yet. None of us has a data jacket implanted in the head. Working for the matrix means tasting malts which have not been tried by enough maniacs yet to appear in the big malt rating table known as the matrix.

Dailuaine 16yo (43%, Flora & Fauna)
Bronze coloured malt from a standard whisky bottle
Nose: Sherry, vanilla, honey, flowers - a little bit perfumy, interesting
Taste : A touch of spice and bergamotte, dry - then bitter - oops nothing
I don't know why I have rated it with 77 points. Must have been the interesting nose.
The taste deserves the attribute "not worth a second visit".

Benrinnes 15yo (43%, Flora & Fauna)
A full amber coloured malt again from a standard whisky bottle. Before we could enjoy the whisky, Johannes had to carry out some surgery with the cork which had been broken and stuck half in the bottleneck.
Nose: Very much sherry, stone fruits, wood, honey. Not transparent but also not as dark as the older Macallans.
Taste: Full and mild sherry taste, sweet, fruity with a touch of honey. The first sip behaved very strange, there was a sudden crash of the mild taste and the malt became extremely dry and later bitter. With the next sips this transition appeared very gentle and organic with the dryness at the very end of the taste experience. My rating 84 points.

North Port - Brechin 1981/1998 (40% G&M Connoisseurs Choice)
A golden malt from a distillery closed in 1983. Can't say that I am too sad about it.
Nose: Herbs (Liebstöckl, the main component of Maggi spice), heather and malt
Taste: fresh, sweet, cinnamon, sustained bitterness.  
I gave 68 points. Too much! Davin, Roman, Johannes and Michael screamed. But I stand to this rating. The malt is simply uninteresting, not disgusting.

Balblair NAS 'The Elements' (40%, OB)
Johannes had mentioned that malt earlier in an email as a budget region malt worth a try. I was curious.
Nose: Malt, wet leaves, honey, chewing gum, artificial aroma esters, sour (vomit). From the huge cognac bowls: stinging and very alcoholic. Summary: not very pleasant.
Taste: sweet and fruity (pears), gentle. This sounds quite good but I find the remark "not too hot" in my notes.
I rated the malt with 63 points. Again protest from the other maniacs who gave a higher rating. Explanation: The nose really repelled me. Therefore the rating had to be lower than the North Port which simply bored me.

Bladnoch 1987/1999 (40%, G&M Connoisseurs Choice)
Johannes had just published an
interview with Raymond Armstrong on maltmaniacs and so I proposed that we should have at least one Bladnoch in the matrix. The colour is pale golden.
Nose: Light, toasted bred, spring flowers, early fruits (raspberries)
Taste: Light, clean, some caramel but not creamy, herbs from the alps, very reserved.
A gentle 70 points for the Bladnoch. Johannes said he had more pleasant memories of it. Maybe something happened to the malt in the bottle.

Linkwood 12yo 1989/2002 (43%, Coopers Choice)
Nose: Pungent, fruits and fresh wood
Taste: Toffee sweetness, bergamotte, coffee. The composition seems to be more complex because I find the words "can't describe it better" in my notes. First sign of an overload of new malts.
Score: 78 points.

Glenfarclas 21yo (43%, OB)
An amber coloured malt from a nice bulky bottle. One of the few older malts with a reasonable price tag.
Nose: Wet leaves and earth, malty, sour, fermented, a touch of smoke. Although not really unpleasant I welcome the development to a sweeter bias with some time.
Taste: A lot of caramel, fruits, mint, burnt toffees, chocolate, bitter and woody in the finish. 
Score 84 points. The taste is a lot better than the nose. Certainly worth to investigate again.

Bunnahabhain 12yo 1989/2001 Sherry Finish (43%, Chieftains Choice)
We tried this malt but I had the greatest difficulties to learn anything from Bunny. It was OK. That is the only thing I can say. Don't know how the rating of 72 points got into the matrix.

This closes the official program of the evening. But Davin and I were in a bold mood and Johannes encouraged us. So, we tried the Loch Dhu 10yo (40%, OB), the famous black whisky. Sirupy black liquid in the glass with the smell of several overfull ashtrays and some blueberry juice. Although I like smoky whiskies this was far to much. The taste was horrible. First sip, brrr - how disgusting. Then gulping down the liquor as quick as possible to finish the job. Cleaning the glass was the most interesting part of the Loch Dhu experiment. First dash of water into the clean glass and here we have a miracle: it takes the colour of a heavy sherried malt. Second flush - we still have a golden liquid.

Having survived the Loch Dhu I was beginning to feel invincible.
Johannes had recently purchased the new bottling of the Edradour 10yo (43%, OB). The maniacs had smelled at the cork and the open bottle. Vomit at it's best and cow stable. I could not believe that a single malt could smell so terrible and so I poured myself a dram. Argh, an even more terrible odeur creeping out of the glass. Should I give up my attempt? Never! I squeezed my nostrils tight and gulped the liquor down. Brrr, - why had Johannes not given back the bottle after he opened it? There must have gone something terribly wrong during the bottling process. 

Bedtime finally. But how could I sleep with such a horrible taste on the tongue.
We detected an almost empty bottle of Lagavulin 14yo 1984/1999 (46%, Murray McDavid). Good occasion to finish it. Fantastic Lagavulin. I would say this is the summer modification of that wonderful malt. Not so much peat but a whiff of sea breaze instead. Together with a nice cigar the perfect finale for the DrAmsterdam marathon.
 

E. Time to say goodbye

The next morning we were in a bit of hurry. Johannes had to visit a wedding in Antwerp. Davin had one day of recreation in Amsterdam until he met his family for a sightseeing trip in London. Roman, I forgot to mention it, left us last night to visit a friend.
Will we meet again? Sure, I say. Even if the fun and joy were not reason enough there also exists a legal obligation. I received one of Davin's Maison du Whisky glasses - just for research purposes. I will have to give it back.

Michael and I chose the Northern road back to Hamburg. There was no café open in the city at ten o'clock. Either the Dutch are very religious or they are notorious late risers. So we had to visit a McDonalds some 20 kilometres away from Amsterdam. Michael won a salad in a crazy quiz. Nice present for his lady waiting at home ;-). I tried to buy some liquorice at a gas station but they didn't have the real good stuff. The advantage of the northern road is that  you drive over a several kilometres long dam which shuts the IJsselmeer (a former part of the North Sea) from the real North Sea. The Dutch can be really clever. Already in 1932 they created the dam which is counted among the worlds most famous engineering monuments.

Michael and I arrived safe and sound in Hamburg, full of memories of a fantastic whisky event.

Thank you, Johannes, for these wonderful days.

Klaus Everding
 

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E-pistle #03/06 - Private Pleasures
by
Louis Perlman, USA

Browse thru any comprehensive single malt scotch inventory list, and you'll see names like Cadenhead, Signatory, and the like appended to many of the entries. Sometimes, there will be abbreviations only, i.e Cad. and Sig. More perplexing, these bottlings will be much more expensive than the standard offerings for the same age, or conversely, younger bottles for the same price. This is exactly what happened to me for my first year and a half in this hobby. It was then that I discovered the wonderful world of private bottlings.

Why should anybody but the distillery be bottling its whisky anyway? Well, there a couple of reasons. It may come as a big surprise to many SMS lovers, but most of the malt whisky distilled in Scotland goes for blending. Many distilleries don't even market their whisky as a single, or may do so only on a limited basis. Caol Ila is an excellent example of the latter. Another reason is that of quality control. It is very important that the bottle of Macallan or Highland Park that you taste at a bar or at a friend's house tastes exactly like the one you go out and purchase the next day. So perfectly good, or even excellent, casks that just fall outside of the distillery's standards can be sold to private bottlers. And finally, there is the remaining stock of distilleries that have been closed down in the last two decades. Since the distillery itself obviously won't be marketing it, the private bottlers once again fill an important niche.

My first year and a half in the world of SMS was spent in the predictable manner. Surveying the standards, and then venturing upscale a bit with Glenmorangie and Macallan 18's, and even the G&M 1974 Ardbeg and the Springbank 12/100. Of course I doted on Michael Jackson's ratings, as well as those of the Malt Whisky File. But then I stumbled across some tasting notes of a bunch of Cadenhead's. This was different. There was a sense of passion that isn't there in the standard ratings. Now we wouldn't expect there to be any in an impartial digest. Quality drams get good ratings, and lesser ones, lower ratings. And then came The Great Revelation. It doesn't matter if Michaeal Jackson rates the distillery bottling an 86 or 76. It's this particular cask that matters. If it does what the whisky lover likes, then go for it. And so I have.

Since then, private bottlings have made up the overwhelming majority of my purchases.
Of the list of bottlers I've compiled (see below), I've got all but the James Macarthur and Michel Couvreur in my collection, and a handful of each, at that. So what makes these bottlings so special, at least to me?
Well here are my reasons.

1) Multiplicity of choices. Take the number of distilleries, and multiply by the number of bottlers.
Not to mention that any age might be offered.

2) Variety. A bottling that the distillery itself doesn't offer.
Maybe it's the exuberance of youth or wisdom of age in a younger or older bottle.
Or maybe a bourbon casked Macallan or Lagavulin or something in a sherry cask that usually isn't.

3) More variety. By comparing the distillery and private bottlings.
Some of the most fun that I have with this hobby is getting together 3 or 4 bottles from the same distillery for a mini-survey.

4) Save money. Now I just mentioned in the intro that the private bottlings were pricier than the distillery offerings. That certainly is true for young and middle age bottles, but as the age increases, the reverse happens. For example, the Macallan 25yr (43%) goes for around $200 here in the US, but the Murray McDavid 1974 that actually bested it in one tasting only costs $140. The Highland Park 25 yr (53%) goes for $175, and an Adelphi 27yr 1972 60% is $135. I guess those wood boxes with the plastic velvet inserts must add 2 or 3 dollars at least.

5) As the old saying goes, "it's not the kill, but the thrill of the chase". It isn't all that difficult to find a 30 year old Sprinbank nowadays, but the real fun is when somebody notifies the web page you hang out on that a certain bottling is 'something special', and you and all of your virtual drinking buddies all go out and order it right away.

6) Exclusivity. There aren't going to be more than a few casks of many bottlings. So when they are gone, they're gone. It's a little club with you and just a few hundred other people (this isn't usually going to be the case with distilleries that are still in operation, but typically distill for blending, but you never know).

7) Pride of ownership. Combine any or all of the above, and you get that nice, warm, fuzzy feeling every time you open the door to your liquor cabinet. These are your good friends, and they're right there, waiting patiently for you without complaining. When you have company, whisky lovers or not, you look around, and pull out just the right bottle.

Anyway, private bottlings are going to play a part in your collection, once you acquire enough bottles to be considered a collection. So look around, shop around, and enjoy. One last point. It always pays to get to know the owner or manager of a quality liquor store. He might have a few interesting bottles hidden 'behind the counter' for his good customers, and keep you in mind when a limited number of something special comes in.

So who are these private bottlers anyway?

The best known and largest is Gordon and McPhail. G&M specializes in the aforementioned malts that would otherwise unavailable to the general public, although they also market some that would be. Most of these are offered at standard strength, although there are exceptions. But most of the 'action' in the private bottler arena is with smaller bottlers, who bottle mostly at cask strength, and without chill filtering or caramel coloring added. Let the distilleries say what they want about the last two practices, but leaving them out certainly gives a purer view into the character of the whisky.

At the top of the list is William A. Cadenhead, usually referred to by the last name only. They are owned by the parent company of Springbank, and operate shops in London and Edinburgh, with literally thousands of bottlings available. Cadenheads tend to be a bit pricey. Only the younger bottles can be found in the USA for less than $80, middle age bottles are in the $80-100 range, and pretty much anything 20+ years old will command a 3 figure price tag. Cadenheads also have a reputation for packing a lot of heat, so keep the water close by. The Signatory Vintage Scotch Whisky Co. LTD (whew) was formed in 1991. They have a standard series marketed in taller bottles, mostly of defunct distilleries. These are very affordable, and are often quite excellent. Their recent 8yr Ardbeg and 9 & 10 yr Caol Ila are prime examples. But Signatory is best known for the cask strength bottlings, which come in shorter, stout bottles. These are also excellent values, as there is an excellent choice of 20+ year old bottles starting at $70 or so, and rarely going above the $100 point. The angels seem to like the Signatory's, as the ABV in the older bottles often drops down close to the 50% level.

Then there is Murray McDavid, whose principals trace their whisky lineage back to Springbank. Unusually, MMcD bottles all of their offerings at 46% ABV. This is considered by many to be the ideal drinking strength (including this author). Refinement is the word here, and all but the oldest bottling are in the $50-80 range. Adelphi is actually a former distillery. You can tell the Adelphis in the shop by their small rectangular labels at the bottom of the bottle, which one retailer bemoaned to me makes them harder to get customers to pay attention to. The young to middle age bottles are  affordable in the $60-80 range, but the older ones are quite expensive (and special, of course). Glenhaven offers the best values for cask strength bottlings any ware, which often cost less than similarly aged distillery bottles!! I have been advised that Glenhaven is now out of business, so purchase on sight (one caution though, there has been extreme price gouging on Glenhavens in the NYC area). Other private bottlers who's stock is now available are Hart Brothers and Scott's Selection. Hart Brothers bottles at standard and cask strength, and at various price points. Scott's Selection is the product of Robert Scott, a distiller with 50 years of experience. While a few of the bottling are affordable, most are older bottles ranging from expensive to very expensive.

A few individuals have also tried their hand at bottling. French vintner Michel Couvreur has a number of selections aged in his own casks, and writer James Macarthur has a handful of his own bottlings. The latter are VERY hard to find though, and typically go for around $100. A defunct bottler worth keeping a eye out for is the former USA based Whyte and Wyte. Their 1959 35yr Glenfarclas and 1969 21yr Bunnahabain are legendary among serious whisky lovers. If you you stumble across a bottle, it will likely be in the e-bay or Sothebys price category, but you never know what is gathering dust in the corner of some little liquor store somewhere. And last but least (dollars, that is) is Coopers Choice. They have a small bunch of standard strength bottlings, all in the $33-40 range (!). Highly recommended are the Dallas Dhu 17 and Millburn 18, both distilleries no longer in operation.

A couple of closing notes;
Not all distilleries are enamored with the idea of someone else bottling their product, Glenmorangie and Laphroiag at the head of the list. Also, the casks in question may be aged at the distillery, on the premises of the bottler. For that reason, even distilleries that don't quite make the first list will insist that private bottlings may be quality drams, but 'can't' properly give a true picture of the distillery. And finally, this whole topic seems to be a bit controversial right now for quite a few more reasons. But that's what part of the purpose of this e-ssignment is all about, although there will be plenty of controversy left over.

Louis Perlman
 

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E-pistle #03/07 - Ode To Independent Bottlers
by
Craig Daniels, Australia

Every dedicated and intrepid maltster owes a significant debt of gratitude to the independent bottlers for at least three main reasons.  Firstly, the independents are the only source of malts from distilleries where the proprietor has decided not to market a single. This was especially true in earlier times (around 1981) when less than 60 distilleries had a single on retail shelves.  It is also interesting to note that of the sixty or so that quite a few were not bottled by the proprietors but under license by Gordon & MacPhail.  For example "official" bottlings of Balblair, Scapa, Mortlach and Old Pulteney up until the very recent past were only by G&M.  Before United Distillers released the Flora and Fauna series and the Rare Malts Series the only source of single malts from about third of all Scottish malt distilleries were from independents.  While I'm happy about United Distillers' policy change, one wonders whether the change of heart was more due to the realisation that there was demand out there (and profits that they were missing out on) in a burgeoning niche market.

Also, of the half of all distillery owners that even bothered to market a single before around 1988, again well over half only had one official expression, which was less than satisfactory for those with a thirst for malt adventure. Only a handful catered to the then miniscule band of enthusiasts that were looking for both range and excellence in their malt whisky experience.  Just as an aside, this lack of concern by distilleries for malt lovers probably was a big part of the founding of the Scotch Malt Whisky Society as well as a big part of the reason for the ongoing success of both Gordon & MacPhail and William Cadenhead.

One other reason, which was quite unforeseeable at the time, is that the independents are now almost the only source of malt whiskies from distilleries taken out of production during the recession in the 1980's.  One of the more lamentable occurrences in the industry was when United Distillers shut down 15 distilleries between 1983 and 1986, quite a few with no hope of reprieve.  Some of these were probably no great loss, although, like conservationists and geneticists, a decline in diversity is always to be lamented. However some are a major loss to malt lovers. Those that produced superior whiskies and are now lost number among them great names like Millburn, Port Ellen, St Magdalene, Lochside and Glenury-Royal and while some official bottlings might be available through auctions etc, if you really want to explore the likes of Glen Mhor, Glen Albyn, Port Ellen, Dallas Dhu and Rosebank, then the independents are the most accessible, if not the only, source.

Another very important issue is range of product available.
When you find a malt you like, you want to try more expressions from the distillery, to check whether it was that particular malt that rose above the ruck or whether it is really the distillery style that attracts.  Now where the distillery markets 5 or 6 expressions such as luminaries including Glenmorangie, Bowmore, Glenfarclas Springbank and Macallan, this is easy enough to establish by checking out the proprietary offerings.  However when there is only one common (at least in this country) expression (Talisker, Lagavulin, Bunnahabhain and Longmorn fit the bill), one has to turn to the independents to conduct the experiments.  Where the official bottlings are rare and uncommon then a visit to Cadenheads or G&M is mandatory.  Good distilleries in this category in the Australian context are Glendullan, Glen Elgin, Caol Ila, Miltonduff and Glenrothes.

The last major reason, and it arises precisely because of the aforementioned comparative assessments (and the real clincher for me) is the excellence of the independent product combined with affordability.  It has been my happy experience ever since starting the malt adventure to discover that often the independent product is more appealing than the official version.  I suspect the main reason for this lies in the distilleries' focus on production for blending and even where they market a malt they are trapped by a distillery style which has been shaped by the demands of blenders rather than malt lovers.  In my own pantheon of the best thirty single malt whiskies I have ever tasted 12 of the thirty are from independents, 5 are from Gordon & Macphail, 1 from William Cadenhead (but the top independent), one from Whyte & Whyte, one from Signatory, one from Murray McDavid, one from James Macarthur, one from Coopers Choice and one private bottling of a Bowmore.  Now the really interesting thing is that apart from the Whyte & Whyte all the independent ones cost less that the best official releases from the distilleries.

My experiences with malt from The Glenlivet are a good illustration.  In the early days of my induction into the arcane world of malt appreciation, I kept wondering why over 20 distilleries in Speyside bothered to try and ride on the coat tails of G & JG Smiths' "The Glenlivet" and why history books and even relatively recent literature made such a big deal about the definite article as I'd always found the Seagram's 12 year old pretty nondescript, insipid and boring.  But when I took my first sniff and sip of the Glenlivet 15 from G&M, I started to appreciate why the definite article might have deserved a fabulous reputation.  Furthermore, I subsequently had the opportunity to line up a whole stack of proprietary offerings including the French Oak and the Archive 21, but they were slaughtered on the night by a fabulous 22 Cask strength from Signatory and the Signatory is available in America for around US$80 including tax, while the Archive will set you back closer to US$90 and it's not in the same league.  Of course, because the independents are often bottling limited runs and even single casks, the quality and style can tend to be variable, but sampling a whole stack of also ran malts makes the odd gem that you run across all the more rewarding, especially when the ones that impress you are genuinely affordable. My experience is that on the value for money scale the independents deliver in style.

Craig Daniels
 

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E-pistle #03/08 - Whisky or IMFL?
by
Krishna Nukala, India

I last met Mike Nicholson in 1998.
Back then, he was distillery manager at Lagavulin (now at Royal Lochnagar).
He posed a simple question: "How is whisky distilled in India"? I didn't know the exact answer but recollecting the taste of whatever best Indian whiskies I had, replied "Probably from molasses". He looked shocked and I thought I made myself perfectly asinine before one of the most learned whisky technicians in the industry. Today, after reading lot of reports and the govt. policies on the whisky industry in India I feel myself congratulating and pat my back for the answer I had given to Mike Nicholson. Almost all of whisky "manufactured" in India is sourced from molasses! That makes me to submit a report on the whisky situation in India.

"After US, India has the largest whisky consumers. The consumption is growing @ 20% p.a"
The International Wine & Spirit Record, a London based research organization.

"India promises to be an attractive growing market"
United Distillers and Vintners

Yes, what is said above is true.
But take this. For this is also true - it is said that more of Johnny Walker Red Label is consumed in India than is distilled at Dufftown. There is a hefty premium on empty foreign liquor bottles and the unaware consumer becomes a prey of his own mistake by selling these bottles to the junk purchasers as these bottles ultimately end up in the hands of spurious whisky manufacturers (to be sold as imported liquor).

Why does this happen? The answer is simple. Due to astronomical duties and taxes imposed on foreign liquor, the price of an average whisky bottle ultimately costs seven times the landed price. That means a J.W Black Label priced at USD 25 would be ultimately be costing USD 175 and at current exchange rate (1 USD = Rupees 49), the purchaser would have to shell out Rs.8575- which is the average monthly salary of a worker in Bombay. The percentage of those who buy the stuff at this price is miniscule. Either it is bought through smuggled route (average price Rs.2000) or one has to make do with the spurious stuff (average price Rs.1000 or less).

The government imposes such high tariffs for two reasons - one to bring revenue and the other to protect the domestic liquor industry. It has been estimated that the govt. earnings would be a whopping 4.9 billion US dollars on tariffs alone (customs, excise and state taxes) for this financial year. However, both the above reasons contradict the WTO regulations and there is a constant conflict between the International Liquor and the Domestic Liquor producers. Tim Jackson represents the European Union's cause and All India Distillers Association (AIDA) represents the domestic lobby. In fact there is a difference of opinion on the basic issue of definition of whisky in India. According to European Council, any whisky to be called a whisky has to be grain based and aged at least 3 years with minimum a.b.v of 43%. In India since all whisky is molasses based the EU does not recognise this as whisky and compel the Indian govt. to use a different name. Hence the origin - IMFL (Indian Made Foreign Liquor).

The EU's contention is that the customs and other domestic tariffs (there are 28 states in the country with each state imposing its own taxes) are too high and contravene the WTO regulations. The AIDA contests that the domestic duty (excise, etc.) on the local liquor is also as high as 800%. Since the cost of local production is so low, the duty imposed on domestic liquor is not truly reflected to the ultimate consumer. The only point on which both the international and domestic manufacturers agree is the reduction of taxes which would reduce the liquor prices but ultimately widen the tax base and hence more tax collection to the govt. The finance minister has to do a balancing act this year to address the conflicting views of the international and domestic liquor producers.

But why doesn't the Indian whisky manufacturers switch over to grain based whisky? According to Jim Murray (author of "Complete Guide to Whisky") the Indian barley can offer "the most intensely attractive spirit to taste". (Page 13) I do not know where this barley ends up. One guess could be that it is be consumed by the breweries that produce beer. Thankfully, India produces beer, some brands of which really match the international standards. Since beer is consumed afresh and the demand is growing at geometric proportions the breweries stick to conventional ways of production without resorting to short cut methods. Some of the Indian brands like Kingfisher, Taj Mahal and a few others are found both in European and US market.

I do know why all whisky produced in India has a molasses base. India is one of the largest producers of sugar cane in the world and molasses is a cheap bi-product of the sugar industry. The liquor companies purchase this as the source material for conversion to alcohol and all that they have to do is to add whisky essence and a little colour to market it as whisky. Some of the liquor companies do not even convert the molasses in to alcohol. They simply purchase the pure spirit. I understand that nowadays they are mixing a little of scotch imported from Scotland to bring it to a more authenticated flavor and taste. The local demand is so high that the liquor companies can not afford aging and whatever aging take place is the time lag between bottling and casking. The source is same for other liquors like gin, vodka or rum. Only the respective essences are added. But India is not the only country having molasses based alcohol industry. Many of the S.E Asian, African and South American countries also produce whisky by similar means.

The average price of the above whiskies is in the region of Rs.175 to Rs.500 (USD 3.57 to USD10.20). There are some better varieties available from Rs.300 - Rs.650. Since the local whisky is available at such low prices majority of the masses do not care for real Scotch, which is any way astronomically priced. More so when the kick is same for whatever whisky it is. Forget about Single Malt Whisky.

The majority of the Indian consumers is unaware of these facts. Since the people are uneducated on this issue the government is taking advantage of the situation and the local liquor barons and the bootleggers are having a ball. However, due to fear of WTO imposing strict penalties, the govt. has realized that it can not continue its policy on imported liquor too long and is planning to reduce the customs and other tariffs in the coming budget.

Also, due to burgeoning elite class in cities like Delhi and Bombay the awareness and demand for deluxe whisky is increasing and already international companies like Seagram's, UDV are entering the Indian markets. There are representative offices of many of the well-known brands and joint ventures like Scottish & New Castle of Scotland with Indian companies. Some of the big names I hear of late are Glenlivet, Glenfiddich and a few others vying for a bit of this huge whisky market in India.

Maybe I shall see better days ahead for the real whisky lovers in India.

Krishna
 

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E-pistle #03/09 - Seasonal Malts
by
Louis Perlman, USA

Ah, the weather... While Johannes (see entry #90 in the Liquid Log) and Klaus have already written on this subject, I thought I'd write a piece as well since I have made several references to seasonal malts in past contribs. My selections correspond to what should be expected from the weather in New York City. This does not always happen, witness the 2 1/2 inches of snow we got last winter, after Buffalo (upstate NY) got 7 feet (2M) by the first week of December. So just match the appropriate month of your climate, and you won't end up dramming Lagavulin at the beach if your climate doesn't match mine.

March - Winter is on the way out, even if we get the last couple inches of snow. Although the temperature is likely to stay above freezing by the middle of the month, it can still be somewhat nasty. So my choice for March is the Bowmore 15 'Mariner'. Bowmore stakes out the middle of the Islay road, between the likes of Ardbeg, Lagavulin, and Laphroaig, and Bruichladdich and Bunnahabain. The Mariner is the most intense (intesist?) Bowmore, as the 17 has mellowed a bit, and is one of my favorite drams.

April - We're pretty much done with winter now, so no more peat.
So my distillery of choice is Balvenie. Of the lower priced bottlings, I prefer the 10 to the 12 and 15. There just seems to be more zest than the it's 2 older siblings. I've also enjoyed the 17 Islay Cask, although I think it was overpriced while it was available. And if I ever win the lottery, the 25 and Vintage Cask will be near the top of my acqusitions list.

May - Spring is definitely here, and I like the malty and just slightly sweet Glen Scotia.

June - It's getting good and hot, and the Glenmorangie Cellar 13 (and Traditional if you're in the mood for cask strength) is very pleasant, without any un-needed heat. A favorite from the past is Dalwhinnie, with it's honey and vanilla profile with the faintest touch of peat, and a very long finish.

July - A nice cold beer or iced tea would seem to be more appropriate, or maybe some lemon sorbet. So that must mean Bladnoch. Michael Jackson hit this one right on the nose, and it really does work in practice, er, make that in the glass.

August - I'm thinking the end of the summer, late in the afternoon, down at the beach somewhere on Long Island or New England. It;s nice and comfortable, and a nice dram of Bruichladdich is the perfect thing. The new releases are more robust than the previous ones, but that just means that you have to lower the maximum allowable temperature by a few degrees.

September - Summer always seems to have one last kick left.
I remember particularly enjoying my first bottle of Scapa on a nice September afternoon. Not very demanding, but who says that you can't just sit back and enjoy a dram every now and then without being a critic? Flavor profile is similar to Dalwhinnie.

October - To deal with the chill of the first few autumn evenings, it's time to bring out the peat again. When the temperature drops into the forties (5-10 C), I've found that the other middle-of-the-road Islay, Caol Ila,  really does the job. If there isn't too much of a chill in the air, Glen Rothes works very well too.

November - The last Thursday of the month is Thanksgiving in the US, and that means turkey with stuffing and 'all of the fixings'. To stand up to all of this food, you need a nice robust dram, and Talisker is among the best in this role. It stands up well to steak as well.

December - Both Johannes and Klaus mentioned the green bottled Ardbeg, but my vote is for the other holiday color, and that means a nice rich Speyside. A nice dram of older Macallan, Glenfarclas or Longmorn is the perfect way to end a holiday meal, and it will stand up to a rich desert as well. In the spirit of political correctness, I'm going to point out that even if you don't celebrate the traditional western holidays, you can still pour yourself a dram while not officially celebrating.

January - Winter's back, time to break out the Ardbeg, Lagavulin and Laphroaig.

February - Winter's still here, see January.

Louis
 

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E-pistle #03/10 - Clouds of Smoke
by
Roman Parparov, Israel

An E-pistle about the pleasure of pipes.

I've been smoking pipes for about four years and in that time I have tried a large variety of pipe tobaccoes. The availability and selection of pipe tobaccoes is quite good in Israel (unlike that of whiskies), and personal imports are almost not taxed. Until recently the amount of different tobaccoes I tasted exceeded the amount of whiskies. Thanks to intensive traveling during the last one and half years (and wonderful dramming sessions with fellow malt maniacs), my experience in the whisky field has now surpassed my pipe-smoking one.

My preferences in the pipe tobacco field are quite clear.
I prefer the scandinavian brands, although there is ONE american tobacco which outclasses everything else - just like many whisky lovers adore most the Islay whiskies and the Lowland St. Magdalene 19yo 1979/1998 puts them all behind. That one tobacco is Nat Sherman (famous NYC tobaccionist) own Cherry-flavored tobacco.

So, I came upon an unusual idea to try and classify the combination of smoking a pipe tobacco while drinking the single malts, to try and see if any conclusions can be derived and recommendations from my side could be made. The approach I took, was to divide the tobaccoes in primary groups, based on their flavor level and strength, and then play with various whiskies to see which types would correspond best. The tobaccoes were separated into three main general groups:

- European heavily flavored tobaccoes (Borkum Riff Champagne, MacBaren's Ambrosias, W.O. Larsen, Peter Rasmussen, etc.)
- European lightly flavored tobaccoes (Balkan Sobranie, Three Nuns, Dunhill Early Morning Pipe, Erinmore etc.)
- American vanilla-background tobaccoes (Middleton's, Captain Black, Prince Edward's etc.)

I immediately reached two major conclusions:
1. The combined bouquet issue is not explorable. The two bouquets just don't mix. When you try to smell the whisky first, from
outside the glass, you just feel only tobacco. And in the glass, whisky remains itself, so again there is no much joint experience.
2. The extremely strong tobaccoes (Erinmore, W.O.Larsen #20, MacBaren Navy Mixture) leave so much tongue bite, that the whisky is not leaving any pleasant impressions.

I.  European heavily flavored tobaccoes.

These are in fact great tobaccoes, my favorites, but - they don't go that well with Single malt whiskies! Their palette is extremely rich, featuring a full spectre of taste and aroma, from the bitterness of the burn to the sweet-and-sour of the flavor. These ones featured at their bests with lesser whiskies, often erasing the bad effects of the drink, in my case it was the bitterness of Longmorn 15 and the medicine of Bowmore 12. Other possibility is to enrich the whiskies that seem too plain to you, like for me it where Dalwhinnie 15 or Glenfarclas 12. Black Ambrosia with its sour taste was the best complement. Fortunately, lately most of my latest tastings were of very tasteful whiskies, except for Aberlour Antique, so the pipe mostly rested. The latest good experience of pipe-glass combination was Aberlour Antique + Saute Deern Tobacco - a Dan Pipe, excellent Hamburg Tobaccionist. So, my advice, if you ran across the whisky you have a problem of finishing, you can use these rich and powerful tobaccoes. My preferred method is an almost non-stop smoking of the pipe, sometimes interrupted by getting a sip of the whisky.

II.  European lightly flavored tobaccoes.

Also, a distinguished family of tobaccoes. Herbs and slight bitterness dominate them and so make them excellent companions to many superb Scotch whiskies. Is it a coincidence, that most of these tobaccoes are done in the UK? Many of suitable whiskies would just have open slots ready to be filled in by the flavors the tobacco carries. The experience is tremendous then, the taste is incomparable, you being to get smoky and salty notes you usually only get in rare whiskies like St. Magdalene and Port Ellen, and old Ardbegs etc. The tobacco should not be too dry or strong, like it is with some Dunhill, otherwise you'll immediately notice how the tongue bite just creates the unpleasant sensation of an overkill afterburn. So, which whiskies would I recommend when smoking a pipe of such a tobacco? The answer is definite - the sweeter, gentler ones. Highland Park and Macallan 12, Springbank 10 and Cragganmore 12 only gain in combination with these tobaccoes, and so do others of their likeness. The Islays are doing less well, because the herbs, the smokyness and the bitterness are a part of themselves and the interference harms both the smoke and the drink.
Dailuane 16 F&F might also be fantastic one, but I haven't had a chance to try it with the pipe.

III.  American vanilla-background tobaccoes.

A typical tobacco of that group, a Captain Black Gold, is characterized by extreme mellowness and lack of any bite or spice. I don't like such tobaccoes much, but there is a field where they help - with the intensive, peaty malts. It turned out, that the gentle smoke of such a  tobacco (the favorite being Middleton's Gold & Mild), prepares your mouth greatly for the powerful malts. Lagavulin and Talisker explode when you drink them, reaching even further than usual. The smoke here is not for the sake of smoking itself, but for the sharpening of the drink! The extreme experience is to combine such a smoke with a cask strength malt! Go for these tobaccoes when tasting a powerful whisky - Islay, but the less iodine ones (Lagavulin, Ardbeg), Skye, Macallan 15 and so on. Iodine (Laphroaig, Bowmore) somehow doesn't settle well with such tobaccoes.

And what about my favorite pipe tobacco - the aforementioned Nat Sherman?
No, it doesn't go well with any whisky, it's too good by itself.

A warning - any tobacco spoils the afterburn a bit when you're going to enjoy it.
So, for example, Glen Scotia 14 and Springbank 12 RWF will mostly lose when accompanied by pipe smoke. The pipe itself is less crucial. It is better to use a filter pipe, because you'll be safe from the saliva getting into the pipe bowl and spoiling the whole experience. If the pipe is wholly to go along with the whisky (as in case II), pick a larger pipe, and if you only preparing the ground with it (case III), pick a smaller one.

So, is there a winning combination of a tobacco and a whisky?
For a very long time Balkan Sobranie mixture and a dram of Highland Park 12 was my absolute favorite, but now I must consider trying an UK tobacco with Dailuane 16 when I get a chance, because that whisky looks ideal to me to join for a genuine experience, getting the absolute best out of these two fine products.

Tobaccombo's:

And now let's try to shape the ideas stated above into numbers.
Not any whisky I sampled also went through "tobacco" evaluation, but a dozen of them did, mostly on the improving side. I hope these digits illustrate my thoughts well. (The first rating is for the tobacco, the second one - between brackets - for the whisky)

Glenfarclas 12yo (43%, OB) + Peter Rasmussen Blue Label:
Glenfarclas becomes more challenging, the sick sweetness is going away. Combination rating: 76 (71)

Aberlour NAS 'Antique' (43%, OB) + Saute Deern Dan Pipe:
The disbalancing mint and cocoa were suppressed. The burn became more natural and so the tingle. Combination rating: 78 (74)

Longmorn 15yo (45%, OB) + MacBaren Black Ambrosia:
The extremely bitter original finish now received sour notes. The superb bouquet is damaged though. Combination rating: 82 (76)

Bowmore 12yo (43%, OB) + Peter Rasmussen Blue Label:
The iodine is still too strong, only slightly helped. No, this whisky is not too much to my liking even when polishing it with this excellent tobacco. Combination rating: 71 (69)

Springbank 10yo (46%, OB) + Saute Deern Dan Pipe:
The changes cancel each other somehow. The bitterish finish is better now, but the caramel streaks are gone and the heavy sherry is not interacting well with the tobacco. Combination rating: 83 (83)

Highland Park 12yo (43%, OB) + Balkan Sobranie:
Sweet, gentle Highland Park now has herbal notes, smoke more emphasized.
Tinglish sensations. Magnificent combination. Combination rating: 89 (85)

Macallan 12yo (43%, OB) + Three Nuns (flake):
The tobacco addes new dimension. Smoky, challenging notes. Very tingly. Combination rating: 84 (82)

Springbank 10yo (46%, OB) + Three Nuns (tablets):
The tablets of Three Nuns are a rather strong tobacco. At the beginning Springbank indeed improves.
Oilyness disappears, but the already bitter finish gets even worse. Combination rating: 82 (83)

Lagavulin 16yo 'White Horse' (43%, OB) + Middleton's Gold & Mild:
The runway for the Laga plane has been superbly prepared.
The blast of smoke and peat is amazing, and yet absoltely harmonical. Combination rating: 98 (96)

Ardbeg 17yo (40%, OB) + Four Seasons (Summertime):
Again, the peat explodes over the sweet beginning, but hey, Ardbeg alone does that.
So the improvement is not so large. The sensations don't change too much. Combination rating: 92 (92)

Roman Parparov

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E-pistle #03/11 - My First E-pistle
by
Matti Jaatinen, Finland

Well, this is my very first E-pistle for Malt Maniacs.

And because this is the first one, it might be a little disordered. I'm a little nervous right now. Had to have a dram to fix it. Autumn came quickly and there's so much to do. Collect the fallen leaves from the garden (before it's too late = snow) and chop firewood. And summer holidays are over, you have to go to work. That means less free time, less drams of whisky.

My abilities to sample whiskies has developed during the time, but still there is plenty of things to do when I can give 110% contribution to the work of the malt maniacs. Of course I'm doing my best and progress must go on. Here are few weaknesses I have; bad English (have to learn more, I can't find the words to describe palette for example) and a narrow product assortment (as mentioned in my brief introduction). Because this still is my first article, I have collected whiskies I have tasted this year and cut and paste it into one file. There's some text I took off. I have to work on that material a little bit more. Anyway this file don't include every whisky that I have tasted recently. I have made notes only for few malts I've tasted seriously in four sessions.

I'm lazy what comes to writing notes...
 

February 12 & 13, 2002 - Cruise to Stockholm

I was on my trip to Sweden and I decided to sample some whiskies in bar.
Then I of course purchased one of them next day from TAX FREE shop. I was spending my time in restaurant. It was early afternoon and the place was quiet at that time. I ordered a dram of Aberlour 10yo (40%, OB) in aroma snifter. After first sniff I noticed that I had a good nose day. Nose: Loud (but not in unpleasant way); my nose got numbed at first. Pretty nosy stuff. Aromatic and somehow herbal I think. Taste: Sherry; I like sherried malts. Fortunately it don't dominate too much the taste in this whisky. Sweet at first, but the finish was dryer than you would espect. Suitably spicy. Well bodied at this young age. Comment: Affordable price. Good whisky for starters. I bought bottle of this afterwards from Finland. Score goes to 84 points.

Second dram was Glendronach 15yo 100% sherry casks (40%, OB). This whisky is well sherried and medium dry. Colour is almost reddish amber. Nose: I found some nuttiness and nose was not strong but full. Almost felt same like Aberlour's nose. Taste: Some kind of sweetness; liquorice toffee. Buttery, but then turned into dryer way. As I earlier mentioned there's much sherry in it. Body is great. Now that nuttiness seems to come from the wood, it turned oaky. Finish: Soft, lasts long and it gets warmer at the end. Comment: Comparing this malt with Aberlour - both sherried - I think Aberlour has more punch and attack in it, but Glendronach shines with it's maturated smoothness. But there is five years age difference between them. I have one bottle of this in my shelves. I bought it last autumn from the same kind of cruise. 87 points. But it might rise; 'cos this is potential stuff.

Next dram to go was Laphroaig 10yo Original Cask Strength (57.3%, OB). I have unopened litre bottle at home in my shelf, so I didn't bothered to buy this eather from the boat. This was my first impression about this stuff. My expectations were high before I tasted it and I wasn't disappointed when I took the first sip. Hard to wait to open my own bottle. Nose: Phew, say hello to Mr. Islay. Medicinal phenolicity. Tar. Taste: Thick peat and smoke. Herbal and phenolic. Now tar is more easier to discern. Finish: Finish was extremely long and it filled all my mouth. Comment: This is not direct consentrated version about standard 10 yrs. version. Same basic elements, but there are plenty of differences. Love at first dram; 91 points respectively.

I decided to sample few drams more and then continue evening with Ale beers (mostly Kentish bitters). I took Glenfiddich 12yo special reserve and 15yo solera reserve under the microscope. 12yo special reserve was a bit better than it's predecessor Special old reserve n.a.s. Still there was lot of in common between them. 12yo special reserve was soft and light. I found hint of smoke too. Finish was fruity, apples perhaps. 15yo solera reserve was surprise (in a positive way). It was appealing and rounded, smooth and soft. Finish was commendably long. I decided to purchase one of this for further investigation. 12yo special reserve scores 72 points and 15yo solera reserve scores 79 points.
 

Walburgisnacht - April 30, 2002

We had recently a theme on Warburgisnacht to taste weird whiskies (or other weird beverages). For me there's not many weird stuff around. So maybe my taste is a bit weird. But I guess it's a good thing. If we don't appreciate different products, there wouldn't be that much distilleries in Scotland for example? I went to girlfriend's parents place to celebrate Walburgisnacht. Remember that computer breakdown earlier. Well I took my computer with me and Jake (girlfriend's brother) came and found some errors from harddisc that have been there as long as I bought this machine new. He totally fixed this problem (while I was sipping) and now this computer works better than new.

I tasted only few whiskies: Auchentoshan 10, Bushmills 1608 12 yrs. Special Reserve and Burke & Barry (blended stuff). I had a pretty rough sniffle and I desided to continue my Walburgisnacht with a case of (24 bottles) beer. A great hangover followed and I had to continue drinking next day and day after that too.

Auchentoshan 10yo. I have tasted this only few times at wintertime. Last one was about week before Christmas. Pretty weird situation to drink this stuff. This is more like a summermalt to me. Well this bottle was just opened. Light, malty, grassy and citric nose. Taste was little fuller than last time and I found some spices from it. Smooth but a little bland, still good summermalt for my taste. Score 81 points.

Bushmills 1608 12 yrs. Special reserve. I tasted this first time five years ago when my mum opened this bottle. And this second tasting was kinda joke, there was only a drop left and it was ruined by oxidation during that five years. Nose and taste: Old Spice deodorand for men after being a week in your armpit. A true body odor. Musty and dungheap notes. I like Bushmills when it is a little fresher than this. Real Walburgisnacht experience ;-).

Burke & Barry. Not available here in Finland. Friend brought it abroad last winter. Well. This must be heavily coloured, chemical tones and sweetness. Still smooth and drinkable. But when it comes to blends, I'll stick to Teachers and JW Black.

I can mention few weird whiskies I've tasted. Loch Dhu 10 year-old Black whisky and Drumguish n.a.s. I tasted them once (in bar) and that makes two times (first and the last), just kidding. Still there are few products that are commonly barked that I like. Like Edradour 10yo. (newer bulky bottle) and Auchentoshan 10yo.

Loch Dhu had this artificial taste, motor oil like (havent tasted motor oil before… well now I have, kidding again) mouthfeel and heavily charred ashtringent note to it. When I emptied the glass, I poured some water from the jug to cleanse my palate. There was this dark brown layer sticked inside of the glass and  water get coloured with it. Amazing thing. Not my style.

Drumguish instead wasn't matured yet enough to put it in the bottle (my opinion).
It was dry, drastically nutty (short fermentation I guess) and oily. That's it. Quite bland and monotonic for my taste.
Too young, but nice try though. Same thing with Loch Dhu, not my cup of tea.
 

MacJOLT - June 20, 2002

Part of Malt Maniacs team was gathered in Amsterdam (Johannes' place) and they almost drown in that amount of Macallan I suppose. I wasn't there and rest of the team was JOLT:ing via internet at their homes. Macallan was the one of the first malts I've ever tasted, however I have only tasted two variations; 12yo 40% and 43% versions. And I had only one bottle in my shelves that night (43% opened 11.4.2002). So my dramming stayed quite bland. Anyway let's not get bothered with it.

If I have to describe Macallan with one word, it would be autumn. I don't know why, but there it belongs. It somehow smells and tastes like autumn. Falling leaves and campfires; direct heated stills may have something to do with that latter one. Yes, I have found slight smoke in Macallan's palette. And I found it MacJOLT night too. Nose revealed dry sherry and that autumnal feeling, Taste showed whif of smoke and dried fruits. Full and smooth. If I have to compare this to competitors then I'd say Aberlour 10yo is a bit sharper (attacks with spices) and has toffeeish tones. Glendronach 15yo instead is sweeter with oaky tones and toffee. Still they have lot in common. I have all those three sherried malts in my shelves, so I have to take some serious head-to-head tastings when they're all opened. Then I know more about their differences.
 

Pori Jazz festival - July 17, 2002

Glen Grant n.a.s. Pure malt. I have almost empty bottle of this at home and I emptied that bottle. Sad that this is not available in Finland anymore. This is so affordable stuff, that I'd might purchase few spare bottles near future. Colour: No added caramel I assume. It's so pale, almost white wine. Muchly American bourbon cask matured I think. Nose: Herbal? Spirity. Taste: Light, spirity herbal taste. First it's pretty rough, then it became a little smoother. Finish: Well, there's a little bitterness at the end too. Comment: For it's young age lacks complexity and balance. Needs few more maturation years in cask. But it's affordable malt for starters.  Somehow I like this. Big minus is cheap tin cap. Score 68.

Cragganmore 12yo tasted in restaurant. This Speysider is excellent. It's good example that "strongtasting" whisky still can be easy and enjoyable to drink. I don't mean strong like Islay whiskies are, but the taste of Cragganmore is "loud". Louder than you espect from the nose. Nose: Pleasant, aromatic, smooth-like. Taste: Aromatic, loud, pure (clean), spicy and there's a hint of smoke too. Rounded and good complexity. Finish is long; same level with Aberlour 10 yo. I think. I like this stuff neat rather than diluted. Heavy diluting can ruin the balance and structure. Comment: Have to have own bottle of this charming "oldschool" whisky. Potential chart climber. Score goes to 89 points.

Edradour 10 yo Tasted in restaurant. Nose: Spices (and maybe some citrus), nuts and a whiff of sherry. Coffeeish. Taste: Soft, oily, creamy. Sweet and sherried. Minty. Finish: After pleasant nose, taste and finish was a little disappointing for me. I can felt the stuff in my upper gingiva (strong peppermint drop sweets do that same effect), but finish dried quite short; caramel and spicy. Comment: Anyway, this is good malt for nosing. If you have a good noseday, then you'll like the stuff. Some people are barking this malt crappy, but I like this. It's not that bad at all. For it's young age this is a good stuff: soft and balanced. My score goes to 79 points, mostly for the good nose.
 

Matti
 

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E-pistle #03/12 - Macallan JOLT Transcript
by
Johannes van den Heuvel, Holland

Malt Maniacs is a mostly virtual collective.
In our relatively short history, there have never been more than two certified malt maniacs in the same room at the same time. On June 20 we were in serious danger of exceeding critical malt mass. No less than five malt maniacs from three different continents gathered 'live' in Amsterdam for an intensive investigation of Macallan - the self proclaimed 'Rolls-Royce among single malts'.

Here's a list of the malts we sampled during the Macallan JOLT;

Macallan NAS Travellers Edition 'Fifties' (40.0%, OB, 50cl)
Macallan
NAS Travellers Edition 'Forties' (40.0%, OB, 50cl)
Macallan NAS Travellers Edition 'Thirties' (40.0%, OB, 50cl)
Macallan NAS Travellers Edition 'Twenties' (40.0%, OB, 50cl)
Macallan 7yo (40%, OB, 70cl, International version)
Macallan 10yo (40%, OB, 70cl)
Macallan 10yo '100 Proof' (57%, OB, 70cl)
Macallan 10yo 'Cask Strength' (58.8%, OB, 100cl)
Macallan 11yo 1988 (50%, Douglas Laing OMC, 75cl)
Macallan 12yo 1988 (43%, Signatory Vintage, 75cl)
Macallan 12yo (40%, OB, 70cl, bottled +/- 2001)
Macallan 12yo (43%, OB, 75cl, bottled +/- 2000)
Macallan 12yo (43%, OB, 100cl, bottled +/-1999)
Macallan 12yo (43%, OB, 75cl, bottled +/-1988)
Macallan 15yo 1984 (43%, OB, 70cl)
Macallan 15yo 1985 (43, OB, 75cl)
Macallan 18yo 1982 (43%, OB, 70cl)
Macallan 18yo 1983 (43%, OB, 75cl)
Macallan 18yo 1979 'Gran Reserva' (43%, OB, 75cl)
Macallan 24yo 1977 (50%, Douglas Laing OMC, 75cl)
Macallan 25yo 1975 Anniversary Malt (43%, OB, 75cl)

CLICK HERE to read the transcript of the proceedings - trust me, it's worth it.
 

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Malt Maniacs #3  -  July 1, 2002

Oh boy, last week we achieved critial malt mass during the DrAmsterdam 2002 Maltathon. Davin from Canada, Roman from Israel, Serge from France and Klaus from Germany joined me in Amsterdam for three days of heavy dramming. This was the very first time that many maniacs gathered in one place. Klaus wrote a full report .
(You can find my own perspectives in
log entry #118.)

For the Macallan JOLT in June some other malt maniacs joined in on the fun. The DrAmsterdam crew alone managed to sample a dozen different Macs, including the recently introduced 'Traveller's Editions'. Our conclusion was: try to get your hands on old batches of the 12yo 43% instead; cheaper and much better.

Then there's Michael Wade's huge report on his Feis Ile 2002 adventure. The Islay Whisky Festival in May was the perfect excuse for some serious 'sampling' in Scotland. The final E-pistle with a 'travel' theme was submitted by Serge. After his trip to the Islay Whisky Festival he was confronted with one of the hazards of international travel: thievery.

While other maniacs were off galivanting through the whisky world our whisky pilgrim Krishna stayed at home to write his 'Whisky or IMFL?' E-pistle. It's a shocking story about the exotic stuff people are prepared to drink to get drunk in some exotic countries.

Actually, this entire third issue of Malt Maniacs is sort of a 'Traveller's Edition', I guess. First of all, Serge wrote a wonderful 'Dolce Aqua Vita' E-pistle about his whisky hunting in Italy - Milan, Bologna, Florence and Sienna.

Let's see, what else? American maniac Louis and Australian maniac Craig wrote a few words about independent bottlings. As Louis points out in his 'Private Pleasures' E-pistle, private bottlings can sometimes be more expensive than the 'official' distillery bottlings. In Holland they very often are. Of course, this goes against my Dutch pennypinching nature. I'm always looking for the maximum 'bang for my buck'. But as Craig explains in his 'Ode to Independent Bottlers' we have plenty of reasons to be thankful to independent bottlers.

The weather was another topic Louis wanted to discuss.
Usually, we tend to reserve this subject matter for small talk but when it comes to the enjoyment of our daily drams it turns out to be quite significant. Roman Parparov's
'Clouds of Smoke' E-pistle deals with the pleasures of pipe smoking and some of the best tobacco & single malt combinations. Meanwhile, Matti Jaatininen focuses on more malty matters in his first E-pistle. Check it out if you want to know about stuff like 'love at first dram' and the whisky that tastes like motor oil.

Last, but certainly not least we have the in-depth interview with Raymond Armstrong; savior and new owner of the Bladnoch distillery. With only two other active Lowland distilleries remaining we felt Raymond's initiative deserved all the attention we could give it.
And that's it as far as MM#4 is concerned.  Slainte!

Sweet drams,

Johannes van den Heuvel

Some essential credentials of the maniacsThe Matrix - Scores on all major maltsMalt Maniacs - Issue 0Malt Maniacs - Issue 1Malt Maniacs - Issue 2Malt Maniacs - Issue 3Malt Maniacs - Issue 4The Archive - Overview of all issuesMalt Maniacs - Issue 5
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